饶宗颐先生“奇古”书风之演变

摘要

The purpose of this paper is to give an interpretation of evolution of Mr. Jao Tsung-I“Qi Gu”calligraphy style. Starting from Tang Dynasty inscriptions monument, early learning of Han Li, later Wei Dynas⁃ty inscriptions, followed by the tablet inscriptions in bones, tripods, silk book, slips,Dunhuang Manuscripts and ancient forts. He rooted in character, seeking beauty in calligraphy’s brushwork, the structure, the artistic conception, so that his calligraphic style has formed his own“Qi Gu”features.%饶宗颐的书法“幼童好古，少壮尚奇，白首奇古”，其由唐碑入门，初习汉隶，后临魏碑，继以碑法入行草，甲骨、钟鼎、帛书、简牍、敦煌写经及历代名迹无不悉心揣摩。他根植于文字，在寻找书法笔致美、结构美、意境美的努力中，博取众长，化古为我，杂揉诸体，以个人审美原则取舍，使他的书风形成了自己“奇古”的特点：以吸取古人神气为主，胎息古人而不为古人所限，在其气象平和中追求“奇”，在工美秀整中孕含“古”，既新奇又古朴，形成了广为人知的“饶体”面貌。