文章着重从“讲故事”、“语言”和“历史观”等三个文学视角，通过莫言在文学创作时的文学策略来探讨文学与历史的辩证关系，并从一个侧面说明近年来我国的历史文化研究，不再像以往那样一边倒地呈现为符合官方利益的“正统”观念，而是呈现出极富文化“个性”的民间立场。%This paper explores the dialectical relationship between literature and history through Mo Yan’ s lit-erary strategy in terms of three literary perspectives:“storytelling”,“language” and “conception of history”, and illustrates in one aspect that recent historical and cultural studies in our country have displayed the folk position with a highly cultural “personality” rather than the “orthodox” concept entirely geared to the official interest, as was the case in the past.
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