反讽时代知识分子的“诗经古城”--在符号学意义上重读阎连科的《风雅颂》（杂志版）

摘要

A semiotic interpretation of the ironic narration on the ancient poetic stronghold of YAN Lian‐ke’s work ,Feng‐ya Song ,has revealed the essence of ironic age ,which manifests itself as the symbol of degradation ,flooding ,the intellectuals’ disintegrated personality ,self‐objectification , and self‐symbolization ;the pure space of the dislodging‐symbol of ancient poetic stronghold symboli‐zes the self‐examination of the mankind’s symbol ,the simple existence and the nirvana of the intellec‐tuals .%从符号学角度解读，《风雅颂》揭示了反讽时代的本质，即符号的物化与符号的泛滥，以及知识分子自我物化与自我符号化的两极人格；而“诗经古城”净除符号的疏离性空间，则是强调对人类符号性的反思，让心灵回到单朴的自我，让“知识分子”之魂附于每个人身上而得以复活。