汉代文艺创作中的主体人格呈现

摘要

The new chapter of aesthetic culture is based on the relationship of ＂Heaven＂ and ＂holy＂,＂human＂.＂Having six classics annotated＂ is the subject with a positive attitude for the process of ＂heaven＂.The interpretation of ＂human＂ to ＂Heaven＂ is the prerequisite for limited questioning. In Heaven Schema,the unity of the beauty of heaven and earth and benevolence should submit to the aesthetic principle of the harmony of man with nature.A main feature of Han literary and artistic creation is the self-reflection of the natural world and a new way of life;but this pursuit of self-consciousness should follow the aesthetic dimension of harmony.Han literature and art are the blend of the freedom of ＂form＂ and ＂human＂ consciousness.%汉代审美文化的新篇章是以阐释经学中的＂天＂、＂圣＂、＂人＂的关系开始的。＂我注六经＂是主体以积极的姿态寻求＂天＂的过程,汉代人对圣人的诠释是以＂人＂对＂天＂的有限追问为前提的。在天人图式中,天地之美与仁行德政相统一,都要服从＂天人相和＂的美学原则。汉代文艺创作的特色是主体对天地自然的反思,是表现自我、重视生命的新的生存方式;但这种自觉的追求仍然要遵循＂和＂的审美维度。东汉的文学艺术是＂形＂的自由与＂人＂的自觉的交融。