近年来，随着不断升温的敦煌舞热，全国各地甚至海外诸多艺术院校、专业舞蹈院团、民间组织，都纷纷关注敦煌舞，学习敦煌舞。从教学、作品等各个方面挖掘和拓展敦煌舞蹈形象，丰富敦煌舞蹈舞台艺术表现，但也出现了良莠不齐的局面。与此同时，对敦煌舞的认识上也出现了一些误区。误区一，认为只要含有敦煌壁画形象或以敦煌地域为故事题材的舞蹈就是敦煌舞；误区二，敦煌舞都是女子表演而且舞蹈特点就是”慢、静”；误区三，将敦煌舞等同于古典舞；误区四，敦煌舞训练只是壁画造型的再现。%In recent years, with the every increasing fever of Dunhuang Dance among people all over the country, and even o- verseas. Many art institutions, professional dance troupes, and non-governmental organizations focus and learn Dunhuang dance. They work in all aspects, such as teaching, performance and so on, seeking and expanding the image of the Dunhuang dance, as well as rich its art performance in the stage. However, such efforts generate a situation that the good and the bad are intermin- gled. Inevitably, the understandings of Dunhuang dance appeared a few errors. Firstly, some misunderstand that dancing in front of Dunhuang ancient painted murals or the performance involves the stories of Dunhuang legend are "Dunhuang dance". See- ondly, only women perform Dunhuang dance and the characteristics of their performance are slow and quiet. Thirdly, Dunhuang dance is identified with the Chinese classical dance. Fourthly, performance of Dunhuang dance is reproduction of the mural image.
展开▼
