浅谈男中音在声乐教学中遇到的问题及正确引导

摘要

在17世纪意大利美声唱法中，男中音声部以它独特的音色和音域占据了整个声乐领域，它以音色优美、沉着稳重、个性的演唱形象，才使它在每部歌剧中发光发亮。当然，男中音也有不同的声音类型，以便适应歌剧中不同的人物形象，这在声乐教学中与声乐教师的教学方法和方式是分不开的。本文通过对男中音的声音类型、在教学中遇到的问题，以及在声乐教学中的正确引导来浅谈此论文，愿共同把男中音的声乐教学经验发扬下去。%Male baritone dominated the bel canto in Italy in the 17th Century with its unique voice of graceful and firm. Such qualities allow them to shine in the opera, and male baritone also possess different voice to take on various roles. Such qualities must be carefully fostered during vocal training and under the watchful guidance of the vocal instructor. This paper discusses the different types of male baritone voices, problems encountered in vocal training, and ways to correct these problems. This paper supports the development of vocal training methods.