方东树以妙论诗的审美走向

摘要

方东树是桐城派最为重要的诗论家之一，其诗论在沿袭桐城派文论道文并重思想的同时，亦体现了重“文”，追求审美价值的走向。其中，他秉承古典诗学以妙论诗的传统，主张“用意高妙”，强调诗歌之美以善为内核，强调了诗教的美育作用；主张“兴象高妙”，进一步从诗歌文学形象这个艺术本质特征的角度，赋予了“妙”字的诗学审美内涵；主张“文法高妙”，在体现以文论诗这个桐城派诗论传统特色之中，亦表述有关诗歌章法、词句等方面的审美要求。%Fang Dongshu is one of the most important poetic theorists of Tongcheng School, whose poetic theory follows the theory of literature of Tonghcheng School and reflects emphasis on literary form and the pursuit of aesthetic value. He inherited the tradition of comments on poetry by "Miao",i.e. ingenious or masterly, from the perspective of "intention","image"and "grammatical form", which emphasizes good core of poetic beauty and aesthetic education of poetry, and embodies "Miao"with aesthetic connotation from literature images and presents the aestheticism from organization and syntax and so on.