日常生活叙事之美--略论中国女性主义艺术思潮的界定

摘要

Since the reform and opening up, China’s feminism has integrated into the global feminist trend and women’s art in China has been part of the international feminist art. This paper gives a definition for feminist art ideological trend from two perspectives of the development of Chinese women’s arts and the global feminist trend. According to the paper, from the dilemma of the dialogue between two sexes presented in installation art of Phone Booth by Xiao Lu in 1989, to the comprehensive thinking of gender structure demonstrated Jiang Jie’s sculpture Greater Than One and A Half Tons in 2016, Chinese feminist art trend, not only embodies the fluctuation of the ideological trend, but also reflected the characteristics of Chinese women’s experience. A large number of female artists dedicate to redrawing the beauty of daily life , created three kinds of daily life narrative strategies of the trend of Chinese feminist art, and witnessed the great changes in Chinese people’s daily life and women’s development.%自改革开放以来，中国的女性主义汇入世界女性主义潮流；中国的女性艺术是世界女性主义艺术思潮的组成部分。基于中国女性艺术成长事实和世界女性主义潮流趋势两个角度，对中国女性主义艺术思潮界定后发现，从1989年肖鲁的装置艺术《电话厅》呈现两性对话的困境，到2016年姜杰的雕塑《大于一吨半》表达女性对性别体制全方位思考，中国的女性主义艺术思潮，不仅体现了思潮生长脉动，也体现了中国女性经验特征，大批女性艺术家致力重绘日常生活叙事美，创造了中国女性主义艺术思潮的三种日常生活叙事策略，见证了中国日常生活巨变和女性主体成长，并且成果斐然。