百多年来中国美学研究在＂中西古今＂二元对立的思维模式影响下,形成了脱离中国而＂纯西方＂、脱离文学与现实而＂纯理论＂、脱离文化而＂纯美学＂的三脱离纯粹化体式和特征,造成中国美学研究缺乏原创性、没有生命力、难树学术权威、在世界美学中无应有地位之弊。反思与批判美学研究历史中的不良倾向,体认和应用后学时代多元与平等文化间性,放弃二元对立的思维模式,超越简单的＂对话＂思维,以连续性思想正确处理中与西、理论与现实、美学与文化的关系,建设＂整体性大美学＂,已是美学研究的时代性前沿课题。%For more than 100 years Chinese aesthetics research,controlled by ＂the thinking mode of dualism＂ and the western theories,formed its style and characteristics,that is,separated from Chinese to pure westernization,separated from the reality of society and literature to pure theory,separated from the culture to pure aesthetics,which brought about the lacks of originality,vitality,academic authority and achievements of Chinese aesthetics,consequently,brought out the disadvantages of the lacks of our aesthetic legitimacy and status.Thus,on the reflection and critics of this bad tendency on aesthetic studies,realizing the multiple equality of cultures,abandoning the thinking mode of dualism,handling with the relation of Chinese and western,theory and reality,aesthetics and culture in continuity thought,to construct the aesthetic,become to be the advancing front of aesthetics study in our times.
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