首页> 中文期刊> 《北京化工大学学报(社会科学版)》 >从民俗事象看《梧桐雨》的俗化倾向

从民俗事象看《梧桐雨》的俗化倾向

         

摘要

The play Chinese Parasol Rain, which involves five folk phenomena, has fully illustrated its seculariza- tion tendency in selecting materials. The plots of "Xi' erhui", "Qixi Qiqiao" are very close to the people' s folk festival activities. And the plot modes "play the love vows", "keep tokens of love", "adultery" derived from Tang legends, Song vulgar pamphlets, and popular lectures at the early stage; the other dramas of Yuan Dynasty at the middle stage; continually the drama and fiction of the Ming and Qing dynasties at the latest stage, which is the fixed plot modes in later popular literatures.%从民俗事象上观照《梧桐雨》,剧中所涉五个民俗事象可以充分说明其选材上的俗化倾向。其“洗儿会”、“七夕乞巧¨隋节贴近普通民众的民俗节日活动,而剧中“爱情盟誓”、“信物定情”、“通奸”等情节模式,则上承唐传奇、宋话本、俗讲,中类元代其它杂剧,下续明清戏曲、小说,是后来俗文学中的固定情节模式。

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