在当今全球化语境下,进一步了解中国的传统文化和中国的传统艺术,特别是了解极富特色的中国传统艺术精神;进一步学习外国先进文化和新的艺术表现方式和艺术手法,不断加强中西文化艺术的交融会通,尽快创建中国艺术学学科体系,推动中国艺术走向世界,应当是我们每一位艺术工作者和文艺理论工作者的共同追求.也只有这样,中国艺术才能充分发挥自身的优势和特点,真正体现出中华民族艺术的文化价值与美学特色,也只有这样,我们的民族艺术才能在弘杨传统的基础上不断发展创新,真正走向世界舞台,为各国广大观众所喜闻乐见.正因为如此,作为中国艺术学庞大体系的构建与叙述者,<中国艺术学>以中国传统文化作为背景,通过中国艺术简史、中国艺术理论和中国艺术精神三个方面,从总体上勾画出中国艺术的风貌,概括了中国艺术发展进程的基本规律,尤其突出了中国艺术的民族风格和美学特征,体现了中国艺术深邃的文化内涵.%In the contemporary context of globalization,it should be the common pursuit of every artist and artistic theorist to further understand traditional Chinese culture and art,especially the characteristic Chinese artistic spirit,to learn more about the advanced foreign culture and the new artistic method,to reinforce the communication of Chinese and foreign culture and art,to construct Chinese artistics disciplinary system and to introduce Chinese art to the world.Only in this way can Chinese art fully express its advantage and characteristics and truly manifest the cultural value and aesthetic characteristics of Chinese art.Only in this way can Chinese art go on developing on the basis of tradition and go to the world stage to be appreciated by world audience.Thus,as the constructor and narrator of the huge system of Chinese artistics,Chinese Artistics,with traditional Chinese art as its background and in the three aspects of brief history of Chinese art,Chinese artistic theory and Chinese artistic spirit,draws a general picture of Chinese art,summarizes the basic laws of Chinese art development,especially the national style and aesthetic characteristics of Chinese art,and shows the profound cultural connotation of Chinese art.
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