首页> 中文期刊>华中建筑 >语义·形构·场所——文博建筑的设计逻辑与实践笔记

语义·形构·场所——文博建筑的设计逻辑与实践笔记

     

摘要

该文首先从文博建筑设计与九大建筑设计逻辑思维类型的关联分析,得出文博建筑的重要设计逻辑为文化/语义逻辑,形构逻辑,场所逻辑;接着基于三个逻辑思维角度,介绍了自己设计的萧山博物馆和宝山国际民间艺术中心的设计.指出这三个逻辑正是文博建筑创作的构思原点和评价因素,但语义/文化表达通常是建筑师与业主的共同选择,建筑形象通常是建筑师与业主妥协的结果;建筑空间的品质和建构质量是建筑师的责任,使建筑具有着艺术和人文的双重力量;场所的营造则需要因地制宜.个性产生于基于语义、形构和场所逻辑的创意策略.%In this paper,we draw out three key design logical thinking types such as cultural or semantic logic,the formation logic and the logic of place; from the correlation analysis between the cultural museum design and nine architectural logical thinking types,then introduce the Xiaoshan Museum design and the Baoshan International Folk Art Center design which were designed by author,based on the three logical views.We also point out that these three logic thinking types is just the origin and evaluation factors for the museum building creation,but semantic / cultural expression is usually based on collective choice between the architect and the owners; Building image is usually the compromise between the architect and the owners architectural space quality and tectonic quality is the architects'responsibility,so that the building has an arts and humanities dual power.Place-making needs to suit one's measures to local conditions.Identity is often reflected in the cultural understanding and expression,Identity is also from creative solutions which are combined with semantic,formation and logic of place.

著录项

相似文献

  • 中文文献
  • 外文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号