以独角戏《乡村往事》为例,对话剧音响设计中环境声的塑造方法进行探索,从前期的音效素材制作、演出现场扬声器系统的布局及现场演出时音响调试等方面入手,力求在创作上打破传统,从听觉上赋予话剧独特的味道和质感。%This paper discusses the methods of environmental acoustic design by studying the monologue the memory of a Village, includingits earlier sound materials, the layout of the speaker system, the sound debugging. The author strives to break the traditional form, and present a unique kind of sound effect.
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