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Multisensory Immersive Exhibitions as Sites for Social Emotional Learning

机译:多感官沉浸式展览作为社交情感学习的场所

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摘要

This thesis examines artist created immersive exhibitions situated within contemporary art institutions and the ways they foster social emotional learning (SEL). SEL is equated to life skills including critical thinking, coping with stress, emotion regulation, effective communication, and self-awareness. For the purposes of this thesis, I define immersive art exhibits as exhibitions conceived and produced by living artists and that are multisensory, engaging at least one sense in addition to sight.;By using four specific exhibitions as case studies: Free Roses by Alex da Corte at MASS MoCA, Until by Nick Cave at MASS MoCA, Where have you gone---where are you going? Wolfgang Laib's permanent installation at the Phillips Collection, and Who cares for the sky? a 2016 exhibit by Sabina Ott for Hyde Park Art Center, my research aims to prove that immersive exhibitions cultivate SEL and cultivate critical thinking abilities. In addition to scholarly research, I conducted visitor surveys at these sites and spoke with MASS MoCA Curator, Denise Markonish, Phillips Collection Deputy Director for Curatorial and Academic Affairs, Klaus Ottmann and artists Nick Cave and Sabina Ott.;Employing the findings from the above-mentioned case studies and supplemental research, this thesis concludes that large-scale immersive exhibitions that shift away from traditional artifact-and-object-centric display practices function as an effective style of visitor engagement. Furthermore, they successfully foster Social Emotional Learning, especially because the human brain has evolved to most efficiently learn through multisensory practices as they best approximate the ways we acquire knowledge in natural environments.
机译:本文研究了艺术家在当代艺术机构内创建的沉浸式展览及其促进社会情感学习(SEL)的方式。 SEL等同于生活技能,包括批判性思维,应对压力,情绪调节,有效的沟通和自我意识。为了本论文的目的,我将沉浸式艺术展品定义为由在世艺术家构想和制作的展览,这些展览具有多重感官,除了视觉之外还涉及至少一种感官;通过使用四个特定展览作为案例研究:Alex da的《 Free Roses》 MASS MoCA的Corte,直到MASS MoCA的Nick Cave为止,您去哪了-您要去哪里?沃尔夫冈·莱布(Wolfgang Laib)在菲利普斯收藏(Phillips Collection)的永久装置,谁在乎天空?作为Sabina Ott在2016年为海德公园艺术中心举办的展览,我的研究旨在证明身临其境的展览能够培养SEL并培养批判性思维能力。除了进行学术研究外,我还在这些站点进行了访问者调查,并与MASS MoCA策展人,丹尼斯·马科尼什(Denise Markonish),菲利普斯收藏(Phillips Collection)策展和学术事务副主任,克劳斯·奥特曼(Klaus Ottmann)以及艺术家尼克·凯夫(Nick Cave)和萨比娜·奥特(Sabina Ott)进行了交谈。通过上述案例研究和补充研究,本文得出结论,大型沉浸式展览已摆脱了传统的以对象和对象为中心的展示方式,是一种有效的访客互动方式。此外,它们成功地促进了社交情感学习,特别是因为人脑已经发展成为通过多感官实践最有效地学习的方法,因为它们最接近我们在自然环境中获取知识的方式。

著录项

  • 作者

    Leving, Lauren.;

  • 作者单位

    University of Illinois at Chicago.;

  • 授予单位 University of Illinois at Chicago.;
  • 学科 Museum studies.;Art history.
  • 学位 M.A.
  • 年度 2017
  • 页码 83 p.
  • 总页数 83
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 遥感技术;
  • 关键词

  • 入库时间 2022-08-17 11:54:22

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