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Identity and race in multiracial African American postreconstruction and post-civil rights autobiographies.

机译:多种族非洲裔美国人重建后和民权后自传中的身份和种族。

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摘要

This study investigates identity and race in multiracial African American post-Reconstruction and post-Civil Rights autobiographies. Specifically, these themes are examined to analyze how people who are direct descendants of one European, Jewish, black, or Italian American parent and one African parent describe themselves in their autobiographies in spite of the one-drop rule, which society uses to characterize Americans with any amount of African ancestry as black.;M.M. Bahktin's The Dialogic Imagination: Four Essays is employed to ascertain how the autobiographers challenge notions of race and create an identity. Writers in both periods differ in their depictions of their public and private personas and their bodies. The earlier writers use their character, achievements, and socio-economic status to challenge white supremacy, to argue for equality, and to gain assimilation into mainstream America. As a result, they display their humanity with their professional success, monetary wealth, and social distinctions. In contrast to the earlier writers, the post-Civil Rights autobiographers use their narratives to display their vulnerability in various social situations. In addition, the later writers discuss their flaws and insecurities, and unlike the post-Reconstruction writers' use of the body to display their accomplishments, the later writers show how racism affects how their family and society treat them.;The discussion of race and identity changes in the multiracial African American autobiography because the racial, social, and political climate in America evolves. During the post-Reconstruction period, some multiracial African Americans and African Americans were denied equality and inclusion into mainstream America. Many individuals who have African American ancestry united to argue for the elimination of racism and full inclusion into mainstream America. As a result, multiracial African Americans design an image in the autobiography to convince white Americans to acknowledge them as citizens and recognize their humanity. However, the later writers have voting, housing, employment, and educational rights that are protected by the constitution. Since the laws protect their individual rights and grant them inclusion in society, they focus on documenting their multiple ancestries and gaining access to different racial communities.
机译:这项研究调查了多种族非裔美国人重建后和民权后自传中的身份和种族。具体来说,我们对这些主题进行了分析,以分析尽管是一滴定法则,一欧洲裔,犹太裔,黑人或意大利裔美国父母和一名非洲裔父母的直系后代人如何在自传中描述自己,尽管该规则采用一滴定的规则。 MM拥有任何非洲血统。巴赫金的《对话的想象力:四篇散文》被用来确定自传者如何挑战种族观念并创造一种身份。在这两个时期,作家对公共和私人角色及其身体的描述都不同。较早的作家利用他们的性格,成就和社会经济地位来挑战白人至上,争取平等和同化成为主流美国。结果,他们以其专业上的成功,金钱上的财富和社会地位来展示自己的人性。与早期的作家相比,后民权自传作者使用自己的叙述来展示他们在各种社会情况下的脆弱性。此外,后来的作家讨论了他们的缺陷和不安全感,与重建后作家使用身体来展示自己的成就不同,后来的作家展示了种族主义如何影响他们的家庭和社会如何对待他们;种族和种族的讨论。在多种族的非裔美国人自传中,身份发生了变化,因为美国的种族,社会和政治环境正在演变。在重建后的时期,一些多种族的非洲裔美国人和非裔美国人被剥夺了平等并被纳入主流美国。许多拥有非裔美国人血统的人团结一致,要求消除种族主义,并将其完全纳入主流美国。结果,多种族的非洲裔美国人在自传中设计了一个形象,以说服白人美国人承认他们是公民并承认他们的人性。但是,后来的作者拥有受宪法保护的投票,住房,就业和受教育的权利。由于法律保护了他们的个人权利并赋予了他们融入社会的权利,因此他们着重于记录其多重祖先并获得进入不同种族社区的机会。

著录项

  • 作者

    Pace, Sheba N.;

  • 作者单位

    Morgan State University.;

  • 授予单位 Morgan State University.;
  • 学科 Literature American.;African American Studies.;Black Studies.;Sociology Ethnic and Racial Studies.;Biography.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 339 p.
  • 总页数 339
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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