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Ethical Formation in the Works and Life of 'Brug smyon Kun dga' legs pa.

机译:“ Brug smyon Kun dga”腿部作品和生活中的道德形成。

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This dissertation explores the ethical formation of persons depicted by the 15th century text entitled the Liberation Life Story of Drukpa Kunley ('Brug pa kun legs kyi rnam thar). My analysis examines the Drukpa Kunley Namthar from a perspective that considers writing as a spiritual discipline akin to other practices of spiritual formation such as prayer, meditation and confession. Drawing on the work of such theorists as Paul Ricoeur, Michel Foucault and Alasdair McIntyre, I argue for a position whereby life-writing functions to form ethical persons. Using Drukpa Kunley's namthar as an outstanding example of this ethically-formative function of literary activity, I examine the text's presentation of what it means to be an ethical person and how such persons arise through a particular way of interacting with the world.;In considering the Drukpa Kunley Namthar, I explore questions about authorial intent, textual agency, and the readers imagined by the text. In addition, I highlight three principal themes developed within the text: exposure of hypocrisy, joyful acceptance of truth, and an unstinting examination of authority. These themes are expressed through both content and form: the narrator openly discusses them, and the text itself creates an experience for the reader that resonates with these themes through its repeated shifting among diverse literary forms and genres. I refer to this strategy as a cacophony of genres, and my assertion is that this effects an ethic of disruption, a condition that challenges the reader and draws into question conventional ways of seeing and being in the world.;Finally, this dissertation explores and advocates for a model of scholarship that approaches the study of a text as an ethnographic encounter. This model, which draws on the work of anthropologist Michael D. Jackson, considers the usefulness of intersubjective practice for scholars of religion and other fields. I propose that this model for studying texts, which engages with a wide range of agents and influences---including our own---can yield deeper and more relevant insights into our objects of study.
机译:本论文探讨了15世纪的文本《德鲁巴·昆利的解放生活故事》('Brug pa kun leg kyi rnam thar')所描绘的人的伦理形成。我的分析从一个角度将Drukpa Kunley Namthar视为一个精神学科,与其他诸如祈祷,冥想和认罪之类的精神形成实践类似。我借鉴了保罗·里科(Paul Ricoeur),米歇尔·福柯(Michel Foucault)和阿拉斯代尔·麦金太尔(Alasdair McIntyre)等理论家的著作,主张建立这样一种立场,即生活写作起着形成道德人的作用。我以Drukpa Kunley的namthar作为文学活动这种具有伦理形成功能的杰出例子,研究了文本中对成为道德人意味着什么以及这些人如何通过与世界互动的特殊方式出现的陈述。在Drukpa Kunley Namthar上,我探讨了有关作者意图,文本代理人和文本所想象的读者的问题。此外,我重点介绍了本文中发展出的三个主要主题:虚伪的曝光,对真理的快乐接受以及对权威的不懈追求。这些主题通过内容和形式来表达:叙述者公开讨论它们,文本本身为读者创造了一种体验,通过在不同的文学形式和流派之间反复转换而与这些主题产生共鸣。我将这种策略称为杂音风格,我的断言是这会影响破坏伦理,这种状况挑战着读者,并质疑传统的观察和生活方式。提倡建立一种将人文志研究作为研究文本的学术研究模式。该模型借鉴了人类学家迈克尔·杰克逊(Michael D. Jackson)的工作,认为主体间实践对宗教和其他领域的学者很有用。我认为,这种学习文本的模型可以与包括我们自己在内的各种各样的主体和影响进行互动,从而可以对我们的研究对象产生更深入,更相关的见解。

著录项

  • 作者

    Monson, Elizabeth Louisa.;

  • 作者单位

    Harvard University.;

  • 授予单位 Harvard University.;
  • 学科 Religious history.;Biographies.;Ethics.;Asian literature.
  • 学位 Ph.D.
  • 年度 2015
  • 页码 492 p.
  • 总页数 492
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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