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An investigation of the creative process in songwriting in an undergraduate songwriting survey class.

机译:在大学歌曲创作调查班中对歌曲创作的创作过程进行调查。

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摘要

In this narrative study, I explored the creative process of songwriting from learners' perspectives. Much literature regarding the creative process in songwriting is taken from the perspective of the instructor. In this study I have focused primarily on how the participants experienced songwriting from their perspective. I examined whether the participants' backgrounds impacted their perceptions of songwriting, whether participants valued songwriting, whether meanings emerged from the songwriting process, and what strategies emerged through the process.;Qualitative methods were used in gathering data, which included interviews, journals, conversations, observation field notes, e-mails, and songwriting artifacts. The data were coded through a cyclical series of transcription and analysis and slowly a research story began to emerge (Saldana, 2009). The seven participants were worship and music majors at a southern Christian University in an undergraduate songwriting survey class. Through narrative I endeavored to restory their songwriting experiences based on the themes that emerged through the codifying process.;Narrative analysis revealed that participants constructed meaning through the process of songwriting. The backgrounds of the participants helped in shaping the subjects of their songs often involving hardships. Participants storied the tension between the initial stage of songwriting and the revisions to follow. Songwriting became a narrative expression of their experience of spiritual awakening. Through reflection during the songwriting process they found greater connection with God. In the process the participants constructed their songs using tone painting to shape their melodies to express their lyrics and metaphors to enliven their lyrics. Participants made use of various recording devices to capture initial ideas before they forgot them, and noted a preference for working with pen and paper in the songwriting process.;Where much of previous research focused on songwriting approaches and methods of instruction, this study found that participants enjoyed the meaning making aspects of songwriting and the spiritual connection with God that it brought them.
机译:在这个叙事研究中,我从学习者的角度探讨了创作歌曲的过程。有关歌曲创作过程的许多文献都是从讲师的角度出发的。在本研究中,我主要关注参与者从他们的角度如何体验歌曲创作。我检查了参与者的背景是否会影响他们对歌曲创作的看法,参与者是否重视歌曲创作,歌曲创作过程中是否产生了意义以及整个过程中出现了什么策略。;在收集数据时使用了定性方法,包括访谈,期刊,对话,观察字段注释,电子邮件和歌曲创作工件。通过周期性的转录和分析对数据进行编码,并逐渐出现了一个研究故事(Saldana,2009)。这七名参与者是南部基督教大学的歌曲创作调查班的崇拜和音乐专业。通过叙述,我努力根据编纂过程中出现的主题恢复他们的歌曲创作经验。叙事分析表明,参与者通过歌曲创作过程来建构意义。参与者的背景有助于塑造他们经常涉及艰辛的歌曲的主题。与会者预言了歌曲创作初期和随后的修订之间的紧张关系。歌曲创作成为他们精神觉醒经历的叙事表达。通过在作曲过程中的反思,他们发现与上帝的联系更加紧密。在此过程中,参与者使用音调绘画来构造他们的歌曲,以塑造自己的旋律来表达自己的歌词,并通过隐喻来使自己的歌词更加生动。参与者在忘掉最初的想法之前就利用各种记录设备来捕捉他们的想法,并指出他们更喜欢在作曲过程中使用笔和纸。以前的研究大多集中在作曲的方法和教学方法上,这项研究发现参与者享受了歌曲创作的意义以及与神之间的精神联系。

著录项

  • 作者

    Hahn, David Mark.;

  • 作者单位

    Boston University.;

  • 授予单位 Boston University.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2015
  • 页码 424 p.
  • 总页数 424
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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