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Identifying teachers' concepts of art history in secondary school art programs.

机译:在中学美术课程中确定教师的美术史概念。

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摘要

We know very little about secondary school art history instruction (Alexander, 1980) and of art teachers' concepts of art history. Numerous researchers including Gagne (1970); Elbaz (1983); and Peretz, Bromme & Halkes (1986) have concluded that teachers' personal subject discipline concepts greatly affect the qualitative levels of their classroom instruction. Consequently, to improve student learning in art history, it seems imperative that we investigate the degree to which teachers identify (i.e., agree/disagree) with art history concepts.;To do this, major tasks include: (1) Development and validation of an instrumentation assessing teachers' agreement/disagreement levels to varying concepts of art history; (2) Development of an instrumentation assessing teachers' biographical data; and (3) Collection and analysis of the data (including reliability).;Three categories for art history were generated following an extensive review of art history and related literature: Socio-Cultural, Intellectual, and Structural.;Data obtained from instrumentations completed by 440 public, secondary school art teachers of Wisconsin were statistically treated and analyzed appropriate to these questions: (1) What conceptions of art history do art teachers possess; (2) What background and training in art history do they bring to its instruction; and (3) What relationships exist between art teachers' concepts of art history (i.e., the dependent variable) and their background and training (i.e., the independent variable).;Secondary art teachers express statistically significant differences of agreement/disagreement toward art history categories. Teachers agree most highly with the Structural category followed by the Socio-Cultural and Intellectual categories, respectively. A narrative description of the Wisconsin public secondary art teacher constructed from biographical data indicates twenty percent to be over 50 years old and only two percent less than 30. Five statistically significant relationships among art teachers' conceptions of art history and their background and training were revealed: three with the Intellectual category, and two with the Structural category.;This study recommends continued research in classroom art history instruction, namely the correlation between art teachers' professed agreement/disagreement levels toward varying concepts of art history and their enacted classroom instruction of art history concepts.
机译:我们对中学艺术史教学(亚历山大,1980年)和美术老师的艺术史概念知之甚少。包括加涅(1970)在内的众多研究人员;埃尔巴兹(1983);和Peretz,Bromme&Halkes(1986)得出的结论是,教师的个人学科概念极大地影响了课堂教学的质量水平。因此,为了改善学生在艺术史上的学习,我们有必要调查教师对艺术史概念的认同(即同意/不同意)的程度。为此,主要任务包括:(1)开发和验证艺术史。评估教师对不同艺术史概念的同意/不同意程度的工具; (2)开发评估教师个人资料的工具; (3)数据的收集和分析(包括可靠性)。在对艺术史和相关文献进行了广泛回顾之后,产生了三类艺术史:社会文化,知识和结构。对以下问题进行了适当统计和分析后,对威斯康星州的440名公立,中学美术老师进行了统计和分析:(1)美术老师拥有哪些美术史观; (2)他们对艺术史有什么背景和训练? (3)艺术教师的艺术史概念(即因变量)与其背景和培训(即自变量)之间存在什么关系。;中等艺术教师在统计学上表达出对艺术史的认同/分歧的显着差异类别。教师最认同结构类别,其次分别是社会文化和智力类别。根据传记数据对威斯康星州公立中学艺术老师的叙述性描述表明,百分之二十的人年龄超过50岁,只有不到百分之二的人不到30岁。在美术老师的艺术史观念及其背景和培训之间发现了五个具有统计学意义的关系:三个属于智力类别,两个属于结构类别。;本研究建议继续研究课堂美术史教学,即美术老师对不同艺术史概念的自称同意/不同意见水平与他们制定的课堂教学之间的相关性。艺术史概念。

著录项

  • 作者

    Moilanen, Mark Brian.;

  • 作者单位

    The University of Wisconsin - Madison.;

  • 授予单位 The University of Wisconsin - Madison.;
  • 学科 Art education.
  • 学位 Ph.D.
  • 年度 1989
  • 页码 303 p.
  • 总页数 303
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:50:43

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