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Loving mothers and lost daughters: Archetypal images of female kinship relations in selected novels of Toni Morrison.

机译:慈爱的母亲和失去的女儿:托尼·莫里森(Toni Morrison)精选小说中女性亲属关系的原型图像。

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摘要

Morrison's representations of mothers and daughters are influenced by her belief that reality is not limited to historical fact or empirical experience, but also involves the presence of Mystery--the play, in reality, of that which is numinous, supernatural, and sometimes even surreal. To reconstitute a lived, as opposed to recorded, cultural past, she creates mothers and daughters whose archetypal associations evoke a mythic tone that sounds the ancient, ancestral, or unconscious currents beneath a more commonly accessible reality. Her African-American cultural heritage contributes to richly intersecting mythologies and traditions--not only African-American, but classical, African, and European as well. This dissertation looks at the ways Morrison contextualizes, enriches, and historicizes a number of wide-ranging archetypal and mythic images of mothers and daughters in Sula, Song of Solomon, and Beloved.;Morrison's combination of history and myth guides her journey to unearth and reconstruct the archeological remains of interior lives that have long been hidden or silenced. By placing such images as the Great Mother, the Terrible Mother, the Trickster, and the Lost Daughter in the context of institutions and experiences that demoralize the self, enslave the body, and encourage an erasure of ancestral links, Morrison infuses historical and cultural specificity into images and patterns that might otherwise render the special conditions of African-American experience invisible.;Morrison's Great Mother figures--Eva, Pilate, and Sethe--combine fundamental elements of human vulnerability with mythic stature, mystery, and power. The nexus between archetypal power and human vulnerability lies in their relationships with their daughters (or granddaughters). Although their maternal actions are motivated by fierce love, their daughters--or, in the cases of Eva and Pilate, granddaughters--are lost, unable to establish rooted personal or cultural identities.
机译:莫里森对母亲和女儿的表述受到她的信念的影响,她认为现实不仅限于历史事实或经验,而且还涉及神秘感的存在。实际上,这种戏剧是无数的,超自然的,有时甚至是超现实的。为了重建一个有生命的,而不是有记录的文化过去,她创造了母女,他们的原型联想唤起了一种神话的语气,这种语气听起来更古老,祖先或无意识的潮流在一个更普遍的现实之下。她的非裔美国人文化遗产有助于丰富地交织神话和传统-不仅是非裔美国人,而且还有古典,非洲和欧洲。本文着眼于莫里森如何将苏拉,所罗门之歌和心爱的母亲和女儿的一系列原型和神话形象进行情境化,丰富化和历史化;莫里森的历史与神话相结合引导了她的出土之旅重建长期隐藏或沉默的室内生活的考古遗迹。通过将诸如“伟大的母亲”,“可怕的母亲”,“骗子”和“失落的女儿”之类的图像置于使人丧气的自我,奴役身体并鼓励消除祖先联系的制度和经验的背景下,莫里森注入了历史和文化的特殊性。图像或图案,这些图像和图案可能会使非裔美国人的特殊经历变得不可见。莫里森的“大母亲”人物-伊娃(Eva),彼拉多(Pilate)和塞特(Sethe)-将人类脆弱性的基本要素与神话般的身材,神秘感和力量结合在一起。原型能力与人类脆弱性之间的联系在于他们与女儿(或孙女)的关系。尽管他们的母性行为是出于强烈的爱情动机,但他们的女儿(或者在伊娃和彼拉多的情况下是孙女)却迷失了自己,无法树立根深蒂固的个人或文化身份。

著录项

  • 作者

    Peterson, Shawn.;

  • 作者单位

    University of Oregon.;

  • 授予单位 University of Oregon.;
  • 学科 Psychology Social.;Literature American.;Womens Studies.
  • 学位 Ph.D.
  • 年度 1993
  • 页码 269 p.
  • 总页数 269
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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