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Nurturing Canadian letters: Four studies in the publishing and promotion of English-Canadian writing, 1890-1920.

机译:培育加拿大的信件:1890年至1920年出版和推广英语-加拿大文字的四项研究。

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摘要

The thesis is a study of Toronto as a literary centre, focusing on the publishing and promotion of Canadian writing from 1890 to 1920. The first chapter introduces Toronto as a literary centre, outlining the city's cultural institutions and networks. Subsequent chapters are detailed studies of specific attempts to promote Canadian writing.; Chapter 2 examines the Methodist Book and Publishing House, in particular its shift in the late nineteenth century from religious to non-religious publishing. The chapter examines the internal workings of the publishing house in order to explore conditions of authorship in turn-of-the-century Canada and discusses the use of Canadian nationalism as a marketing tool.; Chapter 2 deals with the Macmillan Company of Canada and the cultural role of a publisher as a disseminator of ideas. Established in 1906 as an agency for the London and New York Macmillan houses, the company also developed its own book list. An analysis of these books reveals a strong interest in the development of Canadian nationhood on the part of the publisher.; The next chapter narrows its focus and deals with the publication of an individual work: the Makers of Canada (1903-1908), a twenty-volume history of Canada. The main source for the chapter is a detailed correspondence among the editors and publisher which provides information about the aims of the series, the choice of contributors and biographical subjects, remuneration and profits, and the editing of manuscripts.; The final chapter discusses the role of M. O. Hammond, editor of the literary section and the Saturday magazine of the Toronto Globe (1906-1913). The chapter uses correspondence, Hammond's detailed diary, and Globe articles and book reviews to examine the role of an individual editor in promoting Canadian culture.; The four case studies provide information about the mechanics of the Canadian literary world, as well as about the nature and role of publishers, in the 1890 to 1920 period.
机译:本文是对多伦多作为一个文学中心的研究,重点是1890年至1920年加拿大出版业的出版和推广。第一章介绍了多伦多作为一个文学中心,概述了多伦多的文化机构和网络。随后的章节是对促进加拿大写作的具体尝试的详细研究。第2章研究卫理公会书籍和出版社,尤其是19世纪末从宗教出版向非宗教出版的转变。本章考察了出版社的内部运作方式,以探讨世纪之交加拿大的作者身份状况,并讨论了将加拿大民族主义作为一种营销工具的情况。第2章讨论加拿大麦克米伦公司以及出版商作为思想传播者的文化角色。该公司成立于1906年,是伦敦和纽约Macmillan房屋的代理机构,并且还开发了自己的图书清单。对这些书的分析显示,出版商对加拿大民族主义的发展产生了浓厚的兴趣。下一章缩小了重点,讨论了个人作品的出版:《加拿大制造者》(1903-1908年),加拿大二十卷历史。本章的主要来源是编辑和出版商之间的详细往来,其中提供了有关该系列目的,投稿人和传记主题的选择,薪酬和利润以及手稿的编辑等信息。最后一章讨论了文学部分和《多伦多环球报》(1906-1913)的《周六》杂志主编M. O. Hammond的角色。本章使用书信,哈蒙德的详细日记以及《环球》杂志的文章和书评来检验个人编辑在促进加拿大文化中的作用。这四个案例研究提供了有关加拿大文学界的机制以及1890年至1920年时期出版商的性质和作用的信息。

著录项

  • 作者

    Hamelin, Danielle.;

  • 作者单位

    University of Toronto (Canada).;

  • 授予单位 University of Toronto (Canada).;
  • 学科 History Canadian.; Literature Canadian (English).
  • 学位 Ph.D.
  • 年度 1994
  • 页码 318 p.
  • 总页数 318
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 加拿大;
  • 关键词

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