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Jovial pregnancies: Couvade and culture from Shakespeare to Milton.

机译:乐于助人的怀孕:莎士比亚和米尔顿之间的交流和文化。

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摘要

This study analyzes figurations of masculine pregnancy in early modern texts. Because no systematic methodology for conducting such an analysis yet exists, I have synthesized scholarship from anthropology, medicine, and psychoanalysis to construct an appropriate paradigm. Specifically, I bring together the anthropologist's "couvade," the physician's "couvade syndrome," and the psychoanalyst's gender-inflected model of the unconscious. Informed by this interdisciplinary scholarship, I offer a composite theory of couvade desire. I then apply that theoretical model to early modern figurations of masculine pregnancy. I find that the pervasive use of such figurations during the period results from ahistorical bodily disparities and historically-specific epistemological circumstances. The so-called "literary couvade" thus modulates: it directly challenges essentialist claims on the one hand, while simultaneously acknowledging the inexorable link between masculinity and a bodily incapability to give birth. Masculinity, in this model, appears disabled..;Mitigating the disability, however, is a cultural imaginary unfettered by modern anatomical knowledge. Key aspects of human reproduction were still seductively obscure in the early modern period. Women birthed babies, that much was plain; but, perhaps men had a compensatory system of reproduction. Perhaps, some speculated, that system was superior to the messy, merely material capability exclusive to women. Masculinity could, in this regard, rival maternity for social significance without disclosing any act of appropriation from maternity. Such a dynamic resembles closely Rene Girard's paradigm of "mimetic desire." Crucial to mimetic desire is an indifference to the ostensible object on the part of both rival subjects. Relating this to the early modern "literary couvade," I conclude that figurations of masculine pregnancy emerge from a compensatory desire: the desire to mollify an apparent lack with the reduction in significance of the rival's manifest capability.
机译:本研究分析了早期现代文献中男性怀孕的形象。由于尚不存在进行此类分析的系统方法,因此我综合了人类学,医学和精神分析学的知识,以构建适当的范式。具体来说,我将人类学家的“ couvade”,医师的“ couvade综合征”和心理分析人员的无意识的性别影响模型结合在一起。受到这种跨学科奖学金的启发,我提供了一个关于欲望欲望的综合理论。然后,我将该理论模型应用于男性阳刚的早期现代形象。我发现,在此期间普遍使用这种象征是由于历史上的身体差异和特定于历史的认识论环境所致。因此,所谓的“文学突围”得以调整:一方面,它直接挑战了本质主义者的主张,同时也承认了男性气概与身体无力生育之间的必然联系。在此模型中,阳刚之气似乎是残疾人。.;然而,减轻残疾是一种文化假想,不受现代解剖学知识的束缚。在近代早期,人类繁殖的关键方面仍然很诱人。女人生了婴儿,那简直是白痴。但是,也许男人有一个补偿性的生殖系统。有人推测,该系统优于凌乱的,仅女性独有的物质能力。在这方面,阳刚之气可以与孕产妇抗衡,因为它具有社会意义,而不会透露任何从孕产妇身上挪用的行为。这种动态非常类似于雷内·吉拉德(Rene Girard)的“模仿欲望”范式。对模仿欲望至关重要的是,两个对手对象对表面对象都保持冷漠。我认为这与早期的现代“文学风云”有关,男性形象的产生源于一种补偿性的欲望:一种在明显削弱对手能力的同时,减轻明显缺乏的欲望。

著录项

  • 作者

    Johnson, Nicholas Shane.;

  • 作者单位

    The University of Arizona.;

  • 授予单位 The University of Arizona.;
  • 学科 Literature English.;Psychology Social.;Gender Studies.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 233 p.
  • 总页数 233
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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