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If God is God: Laughter and the divine in ancient Greek and modern Christian literature.

机译:如果上帝是上帝:古希腊和现代基督教文学中的笑声和神性。

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摘要

In scenes that became notorious with later commentators, Homer portrays the gods as characters liable to laughter and laughable behavior. Writers from Plato to Reinhold Niebuhr have argued against laughter's place in considerations of the sacred; yet, despite the criticisms, the past century has given us several works that use laughter to depict the God of Christianity. This study examines laughter's role in the religious imagination, first by considering attitudes toward laughter in ancient Greece and the modern West, and then by reading several texts that depict the divine as laughing or laughable. It focuses on several Greek works, especially Homer's Iliad, Euripides' Bacchae, and Aristophanes' Frogs, Birds, Peace, and Plutus. It then asks how the insights derived from that study might apply to an examination of modern literary works that draw on the Christian myth, among them works by G. K. Chesterton, Isak Dinesen, Stanley Elkin, Franco Ferrucci, Archibald MacLeish, Charles Peguy, Anne Sexton, George Bernard Shaw, and Mark Twain.;In both the ancient and modern traditions, laughter is inherently ambiguous, capable of expressing a range of attitudes. It is also inherently ethical, capable of enforcing social norms, disrupting social structures, and creating and sustaining relationships of inclusion and exclusion. Because of this ethical dimension, laughter at and by the gods poses significant questions about good and evil. In particular, it engages the problem of theodicy, the question of how evil can coexist with divine justice. Laughter in these texts can be a response to the divine---sometimes the mocking dismissal of a deity who cannot be counted on to be all-good and all-powerful, sometimes the congenial sharing of a cosmic joke---and can conceptualize the relationship between humanity and divinity in ways that challenge and complement the perspectives of other theological approaches. Laughter addresses the concerns of theodicy by providing ways to question and re-imagine the relationship between human and divine.
机译:在后来的评论员声名狼藉的场景中,荷马将神描绘成容易产生笑声和可笑行为的角色。从柏拉图(Plato)到莱因霍尔德·涅布尔(Reinhold Niebuhr)的作家都出于神圣的考虑而反对笑声的地位。然而,尽管有批评,但上个世纪给我们提供了几幅用笑声描绘基督教上帝的作品。这项研究首先通过考虑古希腊和现代西方对笑的态度,然后阅读几篇将神圣描述为笑或可笑的文字,来研究笑在宗教想象中的作用。它着重于几本希腊作品,尤其是荷马的《伊利亚特》,欧里庇得斯的《 Bacchae》和亚里士多德的《青蛙,鸟类,和平与普鲁图斯》。然后,它询问从这项研究中得出的见解如何应用于对基督教神话的借鉴,其中包括GK切斯特顿,伊萨克·迪内森,斯坦利·埃尔金,佛朗哥·费鲁奇,阿奇博尔德·麦克里什,查尔斯·佩吉,安妮·塞克斯顿的作品。 ,乔治·伯纳德·肖(George Bernard Shaw)和马克·吐温(Mark Twain)。在古代和现代传统中,笑本来就是模棱两可的,能够表达各种态度。它在本质上也是道德的,能够执行社会规范,破坏社会结构,并建立和维持包容与排斥的关系。由于这种道德层面,对众神的嘲笑和对众神的嘲笑构成了关于善与恶的重大问题。特别是,它涉及神学的问题,即邪恶如何与神圣的正义共存的问题。这些经文中的笑声可能是对神的回应-有时嘲笑一个神灵,他不能指望他是全善全能的,有时会与世俗的笑话相得益彰,并且可以概念化人与神之间的关系以挑战和补充其他神学方法的观点的方式出现。笑声通过提供质疑和重新构想人与神之间关系的方法,解决了神学问题。

著录项

  • 作者

    Houck, Anita Marie.;

  • 作者单位

    The University of Chicago.;

  • 授予单位 The University of Chicago.;
  • 学科 Literature Classical.;Theater.;Religion General.;Literature Modern.
  • 学位 Ph.D.
  • 年度 2000
  • 页码 322 p.
  • 总页数 322
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 宗教;
  • 关键词

  • 入库时间 2022-08-17 11:47:36

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