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Astronomy, alchemy, and archetypes: An integrated view of Shakespeare's 'A Midsummer Night's Dream'.

机译:天文学,炼金术和原型:莎士比亚的《仲夏夜之梦》的综合视图。

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摘要

A Midsummer Night's Dream is a complex blend of metaphors: multitudinous references to the moon, mythological figures ancient and Elizabethan, and alchemical symbolism. An understanding of Shakespeare's cosmology leads to an analysis of the play's astronomy, revealing mythological archetypes that correspond to the play's characters. The archetypal struggle which ensues between the characters is the process of the opus magnum of alchemy---the coniunctio---a physical as well as psychic process which embodies the transforming theme of the play's characters from singleness to marriage. Emerging from the collective unconscious, the alchemical symbolism of the coniunctio correlates directly to Jung's process of individuation and reveals not only an integrated view of the play, but also an equivalent, contemporary reading.; While the moon operates significantly within the play as metaphor, the astronomy of the play manifests the actual stage of the moon during which the coniunctio occurs. The constellations of the late spring/early summer sky also reveal archetypes in the play, which are grounded in medieval concepts of cosmic numerology and alchemical number symbolism, the microcosm/macrocosm, and the seasons that operate as cycles of transformation. The rites of courtly love correspond to the Dionysian rites of passage in the May Day festivities, and also operate as metaphors of metamorphosis within the play. Through these rites, the play's archetypes interact in the alchemical stages of the nigredo, putrefactio, albedo and renovatio which culminate in the reconciliation of opposites, or the coniunctio.; An alchemical, Jungian reading of A Midsummer Night's Dream offers innovative ways to interpret the play that may facilitate equivalent, contemporary readings and performances of Shakespeare's Elizabethan work. As such, this work confirms Shakespeare's collaborative genius and poetic vision, in Ben Jonson's words, as "not of an age, but for all time."
机译:仲夏夜之梦是隐喻的复杂融合:对月亮的无数引用,古代和伊丽莎白时代的神话人物以及炼金术象征主义。对莎士比亚的宇宙学的理解导致对剧本天文学的分析,揭示了与剧本人物相对应的神话原型。角色之间发生的原型斗争是炼金术的巨大过程-交往-物理和心理过程,体现了戏剧角色从单身到婚姻的转变主题。从集体无意识中涌现出来的,炼金术的象征意义与荣格的个性化过程直接相关,不仅揭示了戏剧的整体观点,而且揭示了同等的当代读物。尽管月亮在剧中作为隐喻在剧中发挥着重要作用,但剧的天文学却表明了发生配音的月球实际阶段。春末夏初的星座也揭示了戏剧中的原型,其原型基于中世纪的宇宙命理学和炼金术数字象征,微观/宏观,以及作为转变周期的季节。礼貌的爱情仪式与“五一”庆祝活动中的酒神通过仪式相对应,并且也充当了剧中变态的隐喻。通过这些仪式,戏剧的原型在尼格雷多,腐朽,反照率和翻新的炼金阶段相互作用,最终达到对立或the旋。荣格(Jungian)的炼金术读《仲夏夜之梦》提供了新颖的方式来解释剧本,可以促进莎士比亚的伊丽莎白女王作品的当代等效读物和表演。这样,这部作品用本·琼森的话证实了莎士比亚的协作天才和诗意的视野,“不是一个时代,而是一个永恒的时代”。

著录项

  • 作者

    Perrault, Katherine Bartol.;

  • 作者单位

    Texas Tech University.;

  • 授予单位 Texas Tech University.;
  • 学科 Literature Comparative.; Theater.; Literature English.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 177 p.
  • 总页数 177
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;公共建筑;
  • 关键词

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