首页> 外文学位 >Kulturdammerung: The influence of African American culture on post-wall German identities (May Ayim, Ika Huegel-Marshall, Hans J. Massaquoi).
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Kulturdammerung: The influence of African American culture on post-wall German identities (May Ayim, Ika Huegel-Marshall, Hans J. Massaquoi).

机译:Kulturdammerung:非裔美国人文化对后墙德国身份的影响(May Ayim,Ika Huegel-Marshall,Hans J. Massaquoi)。

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摘要

This study examines the appropriation of African American cultural forms by Germans, particularly Germans of color, during the decade following German reunification, 1989–1999, and questions what it means to be “German” within post Cold War Germany in which identities are constituted by and in multicultural, multiethnic, transnational communities. In examining African American influences on popular music, youth culture, Afro Deutsche (African German) writers, and television in Germany, this study attempts to trace the emergence of postmodern subjectivities permeated and interpolated by displacement.; Chapter One addresses the issue of Germany's cultural heritage, which has been conflated with its self-image and reputation as a Kulturnation (culture nation), and as one of the premiere producers of high culture in the West; it then discusses the challenges to this traditional self-understanding posed by popular culture at the end of the twentieth century.; Chapter Two explores the struggle of Afro-Deutsche writers to be recognized as German, as thematized in the writings of the poet and social commentator May Ayim, the writer and social activist Ika Hügel-Marshall and German-American writer Hans J. Massaquoi.; The third chapter analyzes the phenomenon of German hip hop music from all white pop-hip hop groups, whose music is marketed purely as entertainment, to Afro-Deutsche rap stars, whose lyrics and performances constitute a form of protest against racist practices in Germany.; Chapter Four examines youth culture and the challenge to high art implicit in the graffiti scene surrounding the German hip hop movement.; The fifth and final chapter addresses the representation of black Germans and blackness in the German media, particularly in television.; In conclusion I suggest that cyberspace offers an alternative possibility for constituting new transracial and transnational alliances within Germany.
机译:这项研究考察了1989-1999年德国统一后的十年中,德国人,特别是有色德国人对非裔美国人文化形式的占用,并质疑在冷战后的德国中,由身份构成的“德国人”是什么意思。以及多元文化,多种族,跨国社区。在研究非裔美国人对流行音乐,青年文化,非裔德国作家(Afro Deutsche)和德国电视的影响时,本研究试图追溯由于位移而渗透和内插的后现代主观的出现。第一章论述了德国的文化遗产问题,这与它的自我形象和声誉(作为 Kulturnation (文化国家),以及作为西方高级文化的主要生产者之一)相关联;然后讨论了二十世纪末流行文化对这种传统自我理解的挑战。第二章探讨了以诗人和社会评论家May Ayim,作家和社会活动家IkaHügel-Marshall以及德裔美国作家Hans J. Massaquoi的作品为主题的非裔德国作家在被承认为德国人的斗争。第三章分析了所有嘻哈音乐人群纯粹是作为娱乐销售的德国嘻哈音乐现象与非裔德国说唱明星的现象,后者的歌词和表演构成了对德国种族主义行为的一种抗议形式。 ;第四章探讨了青年文化以及德国嘻哈运动周围涂鸦场景所隐含的对高级艺术的挑战。第五章也是最后一章论述了黑人德国人和黑人在德国媒体,特别是电视中的代表。最后,我建议网络空间为在德国内部组建新的跨国和跨国联盟提供了另一种可能性。

著录项

  • 作者

    Batchelder, Leslie Webster.;

  • 作者单位

    University of California, Davis.;

  • 授予单位 University of California, Davis.;
  • 学科 Mass Communications.; Literature Germanic.; Music.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 176 p.
  • 总页数 176
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 传播理论;音乐;
  • 关键词

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