首页> 外文学位 >A performer's guide to the Six Preludes, Op. 6, and Toccata, Op. 15, of Robert Muczynski, with a short synopsis of Russian influence and style.
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A performer's guide to the Six Preludes, Op. 6, and Toccata, Op. 15, of Robert Muczynski, with a short synopsis of Russian influence and style.

机译:六首序曲的表演者指南,作品P。 6和Toccata,作品。罗伯特·穆钦斯基(Robert Muczynski)的第15张,简要介绍了俄罗斯的影响力和风格。

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摘要

The purpose of this document is to examine selected piano compositions by Robert Muczynski and to trace the important impact of the tradition of Russian composer-pianists from the middle nineteenth century through the early twentieth century with a discussion of stylistic features. The document is intended to offer pianists and piano teachers an introduction to the Six Preludes, Op. 6 and the Toccata, Op. 15.; Robert Muczynski (b.1929) is an American composer-pianist trained under the Russian composer-pianist Alexander Tcherepnin (1899–1977). Muczynski was strongly influenced by his teacher's Russian heritage and career as a composer-pianist. Tcherepnin passed on to Muczynski not only compositional techniques but a model for a career that combines composition and performance following a tradition that dates back to Anton Rubinstein (1829–1894), a founder of the Russian piano school. These Russian influences on Muczynski have greatly contributed to his style and to his career as a composer-pianist so that his career has come to resemble that of a Russian pianist.; Muczynski's Six Preludes, Op. 6, and Toccata , Op. 15, include many stylistic features that represent the composer's profound knowledge of the instrument and of performance. They offer excellent material for teaching late intermediate and early advanced piano students because the musical ideas in each piece are clear and each piece isolates a specific technical challenge.; Chapter 1 presents a biographical sketch of the composer and a survey of his works for solo piano. Chapter 2 traces the performance traditions and the stylistic origins of the Russian piano school. Chapter 3 examines stylistic features of Muczynski's music through comparison with features found in the works of Tcherepnin and Prokofiev. The performer's guide to Six Preludes , Op. 6, and to Toccata, Op. 15, in Chapter 4 is intended as a point of departure for the student at the intermediate or advanced level.; The conclusion summarizes the current study and concludes that Muczynski crystallized the essence of Russian tradition in his works which benefit from the composer's extensive understanding of pianism at the top level as a composer-pianist.
机译:本文档的目的是研究罗伯特·穆钦斯基(Robert Muczynski)精选的钢琴作品,并追溯19世纪中叶至20世纪初俄罗斯作曲钢琴家传统的重要影响,并讨论其风格。该文件旨在为钢琴家和钢琴老师介绍《奏鸣曲》,《六个序曲》,《奏鸣曲》。 6和 Toccata ,同上。 15 .;罗伯特·穆钦斯基(Robert Muczynski,生于1929年)是美国作曲家-钢琴家,受俄国作曲家-钢琴家亚历山大·特雷珀宁(Alexander Tcherepnin)(1899-1977)的熏陶。穆琴斯基受老师的俄罗斯血统和作曲钢琴家的职业影响很大。切普林宁不仅将作曲技术传给了穆琴斯基,而且还继承了可以追溯到俄罗斯钢琴学校创始人安东·鲁宾斯坦(Anton Rubinstein,1829-1894年)的传统,将合成与演奏相结合的职业生涯模式。俄罗斯人对穆琴斯基的影响极大地影响了他的作风和作曲钢琴家的职业生涯,从而使他的职业生涯与俄国钢琴家相似。 Muczynski的六个序曲,同上。 6和 Toccata ,同上。 15,包括许多风格特征,这些特征代表作曲家对乐器和演奏的深刻了解。它们为教学后期中级和早期高级钢琴学生提供了极好的材料,因为每首乐曲的音乐思想都很清晰,每首乐曲都隔离了特定的技术挑战。第1章介绍了这位作曲家的传记素描和他的独奏作品调查。第2章追溯了俄罗斯钢琴学校的演奏传统和风格起源。第三章通过与切切普宁和普罗科菲耶夫的作品比较,检验了穆琴斯基音乐的风格特征。 六个前奏曲的表演者指南,同上。 6和 Toccata ,同上。第4章第15节旨在作为中级或高级学生的出发点。结论总结了当前的研究,并得出结论,穆琴斯基在其作品中体现了俄罗斯传统的精髓,这得益于作曲家对作曲家-钢琴家的顶级钢琴艺术的广泛理解。

著录项

  • 作者

    Cho, Min-Jung.;

  • 作者单位

    The Ohio State University.;

  • 授予单位 The Ohio State University.;
  • 学科 Education Music.; Music.
  • 学位 D.M.A.
  • 年度 2002
  • 页码 129 p.
  • 总页数 129
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 音乐;
  • 关键词

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