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Wind, water, and battle imagery in Genesis 8:1--3.

机译:创世记8:1--3中的风,水和战役图像。

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摘要

As the result of a number of intersecting socio-religious phenomena, Gen 8:1-3 has remained a scholarly lacuna. It is often deemed a hopeless jumble of poorly woven ancient flood traditions, or to contain mere physical links in a scientifically sensible chain of events leading from flood to dry ground. Modern translations often render Gen 8:1 as a summary of events detailed thereafter in Gen 8:2ff. When the text concludes, vayishku hamayim, one finds the equivalence of And God sent a wind to blow across the earth and the waters decreased . Ancient translations, however, interpret shkhakh as calmed and link ruah&dotbelow; with its divine sense in Gen 1:2; one finds the equivalence of And God sent a wind to blow across the earth and the waters calmed.;In this dissertation, I will demonstrate that Gen 8:1-3 contains more than mere physical links in a chain of events leading from flood to dry land. Gen 8:1 describes the calming of the waters prior to the cutting off of its sources, and both Genesis 6-9 and 8:1-3 share meaningful aspects of battle patterns with ancient flood traditions, ANE chaoskampf texts, and significant biblical creation and kingdom texts. While Genesis 6-9 is, by ANE standards, historical narrative, describing a flood and its dispersal, its artistic nuances and theological truths are found within this mythopoetic setting.;Though the waters are merely waters, no more than material tools in YHWH's cleansing of the earth, Gen 8:1-3 describes, metaphorically, the turning point in YHWH's battle against the waters of the flood, describing their humbling defeat before the divine ruah&dotbelow;, the cutting off of their life, and their scattering as YHWH reclaims the dry ground conquered by the waters in his re-creation of the inhabitable world with a new Adam and a new society based on divine law. Though the waters of the flood are created elements in complete submission to YHWH as creator, they remain, in the hearts of ancient readers, powerful and terrifying emblems of chaos, whose domination by YHWH in the flood story validates his lordship in convincing ways. The use of battle imagery without the necessity of actual battle emphasizes YHWH's power to rule over the whole of his creation.
机译:由于许多交叉的社会宗教现象的结果,创世记8:1-3仍然是学术上的空白。人们通常认为,这是编织不善的古代洪水传统的绝望之作,或者仅仅将物理联系包含在从洪水到干燥地面的科学合理事件链中。现代翻译通常将Gen 8:1渲染为事件的摘要,此后在Gen 8:2ff中进行了详细介绍。当vayishku hamayim结束时,人们发现等价于“上帝发了风吹过大地,水域却减少了”。但是,古代翻译将shkhakh解释为平静,并把ruah&dotlowlow;链接到了书中。在创世记1:2中具有神圣的意义;一个人发现了神的等价物;而上帝派出风吹过大地,使水平静了。旱地。创世记8:1描述了在切断水源之前的平静水域,创世记6-9和8:1-3都分享了古代洪水传统,ANE chaoskampf文本和重要的圣经创造中战斗模式的有意义的方面和王国文本。虽然按ANE标准,创世记6-9是历史叙述,描述了一场洪水及其扩散,但在这种神话般的环境中却发现了其艺术差异和神学真理。创世记8:1-3隐喻地描述了耶和华抵抗洪水的斗争的转折点,描述了他们在神圣鲁阿之前的谦卑失败,生命的中断以及在耶和华夺回时的分散在他以新的亚当和基于神圣律法的新社会重新创造可居住世界的过程中,水淹没了干旱的土地。尽管洪水泛滥成灾的要素已完全提交给YHWH作为创作者,但在古代读者的心中,它们仍然保留着强大而恐怖的混乱标志,它们被YHWH在洪水故事中的统治以令人信服的方式证实了他的统治地位。使用战斗图像而不需要进行实际战斗,强调了耶和华的力量来统治他的整个创作。

著录项

  • 作者

    Sargent, Andrew Dean.;

  • 作者单位

    Trinity International University.;

  • 授予单位 Trinity International University.;
  • 学科 Religion Biblical Studies.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 358 p.
  • 总页数 358
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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