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Depiction patterns of young African-American women in contemporary American animation.

机译:当代美国动画中年轻非洲裔美国妇女的描绘方式。

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摘要

This paper examines the ways in which African-American women tend to be depicted in American animation. Devoting a much heavier focus on animation airing within the last 25 years, this paper's animated samples consist of twenty-two animations that debuted between 1935 and 2009, and include recurring or multiple African-American female characters that are under the visual age of 40. After carefully analyzing personalities and roles I find that many American animations, including those created within the last few years, exhibit the disturbing trend of consigning a wide range of diverse Black female characters to variants of the "unrecognized support role." Detrimental to character development and ultimately hindering the progression of the entire animation medium, "unrecognized support" is carefully calculated, is particular to Black female characters, and covertly demands that a character devote the majority of her on-screen time to providing assistance to or fulfilling the needs of other characters. As a role that originated during the institution of slavery, it demands attention in that it both directly reflects the current state of American racism and quietly perpetuates it in a medium targeted toward young children. This paper explores the covert workings of unrecognized support through discussing the importance of examining the animation medium and constructions of gender for Black women and girls. Both regressive and innovative role practices are highlighted while carefully examining the ways in which support intersects with other recurring representational themes such as image abuse, racial/ethnic diversity, listing order, starring characters, villains, romance, beauty, and body language. Although role representation is currently problematic for Black female characters in animation, the progress that has been made in personality diversity shows some promise for role reform in future animated works.
机译:本文研究了在美国动画中倾向于描绘非洲裔美国女性的方式。在过去的25年中,我们更加注重动画播放,本文的动画样本包括22个动画,这些动画在1935年至2009年之间首次亮相,其中包括40岁以下视觉年龄的重复或多个非洲裔美国女性角色。在仔细分析了角色和角色之后,我发现许多美国动画,包括最近几年内创作的动画,都表现出令人不安的趋势,那就是将各种各样的黑人女性角色委派给“无法识别的支持角色”。精心计算出“无法识别的支持”,这对角色发展有害无益,并最终阻碍了整个动画媒介的发展,这是黑人女性角色所特有的,并且暗中要求角色在屏幕上的大部分时间都用于提供帮助或协助。满足其他角色的需求。作为在奴隶制制度中起源的角色,它需要引起注意,因为它既直接反映了美国种族主义的现状,又在针对幼儿的媒介中悄悄地延续了下来。本文通过讨论检查黑人妇女和女孩的动画媒介和性别结构的重要性,探索了未被认可的支持的秘密工作。在仔细检查支持方式与其他重复出现的主题(例如图像滥用,种族/种族多样性,列表顺序,主演角色,反派角色,浪漫,美丽和肢体语言)相交时,强调了回归和创新角色实践。尽管目前角色表示对于动画中的黑人女性角色而言是成问题的,但是在人格多样性方面所取得的进步显示出对未来动画作品中角色改革的一些希望。

著录项

  • 作者

    Fulmore, Yvonne.;

  • 作者单位

    State University of New York at Buffalo.;

  • 授予单位 State University of New York at Buffalo.;
  • 学科 African American Studies.;Cinema.;Womens Studies.
  • 学位 M.F.A.
  • 年度 2010
  • 页码 66 p.
  • 总页数 66
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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