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Language and tropisms: The verbal representation of subjectivity in the work of Nathalie Sarraute (France).

机译:语言和向性:纳塔莉·萨拉罗(Nathalie Sarraute)(法国)作品中主观性的语言表达。

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摘要

This dissertation focuses systematically on Nathalie Sarraute's techniques for representing subjectivity, especially as it manifests itself intersubjectively in what she calls tropisms. These are particular subterranean movements, interpenetrating, barely perceptible and unnamable, triggered in the course of everyday dialogues and situations. Since conventional language has a petrifying power and cannot express the fluidity or indefiniteness in the tropism, Sarraute has to appeal to rhetorical devices and literary strategies in order to give as appropriate a representation of such movements as possible. Tropisms imply relationality, they are seen primarily as responses to others. While articulating Sarraute's understanding of the self in its relation with others, this thesis highlights the novelty of the author's conception of character and the ingenuity of her artistic practices. The in-depth analysis of Nathalie Sarraute's novels ultimately reveals her conception of communication, of the distorting power of words, which are shown to have a peculiar effect on those who hear them. This technical reading frequently draws on the resources of linguistics, especially on the critical works by such figures as Benveniste, Jakobson, and Genette.; By means of an aesthetic analysis of five prose works--- Entre la vie et la mort, Tropismes, Portrait d'un inconnu, Les Fruits d'or and Ici---the dissertation shows the possibilities of language to represent a reality of a different order, but also the difficulties created and the questions raised by such a literary enterprise. It focuses, moreover, on the implications of Sarraute's writing for the reader. With regard to this matter, along with the fictional texts mentioned above, Sarraute's theoretical works and the interviews that she gave serve here as a basis for the examination of the text-reader relationship, as it is understood by the author and as it actually takes place.
机译:本文系统地聚焦于纳塔莉·萨拉罗特(Nathalie Sarraute)的代表主观性的技巧,特别是因为它主观地在她所谓的向心性中表现出来。这些是特殊的地下运动,它们相互渗透,几乎无法察觉且无法改变,是在日常对话和情况下触发的。由于常规语言具有惊人的力量,无法表达向性的流动性或不确定性,因此Sarraute必须诉诸于修辞手段和文学策略,以便尽可能恰当地表现这种运动。趋势意味着关系,它们主要被视为对他人的回应。在阐述沙罗特与他人的关系中对自我的理解时,本论文着重强调了作者性格观念的新颖性和她的艺术实践的独创性。对纳塔莉·萨拉特(Nathalie Sarraute)小说的深入分析最终揭示了她的交流观念,言语扭曲能力,这些言语对听者有特殊的影响。这种技术读物经常利用语言学的资源,特别是利用Benveniste,Jakobson和Genette等人物的批判著作。通过对五篇散文作品的美学分析-恩特雷·拉维和拉普雷,《热带风情》,《因康努肖像》,《水果》和《艾西》,论文证明了语言可以代表现实的可能性。一个不同的秩序,但是这种文学事业所带来的困难和提出的问题。此外,它重点介绍了Sarraute的写作对读者的影响。关于此事,与上述虚构文本一起,在作者理解和实际采用的前提下,Sarraute的理论著作和她在这里进行的访谈均作为检验文本与读者之间关系的基础。地点。

著录项

  • 作者

    Tutuc, Livia Roxana.;

  • 作者单位

    Princeton University.;

  • 授予单位 Princeton University.;
  • 学科 Literature Romance.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 157 p.
  • 总页数 157
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;
  • 关键词

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