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At Home and on the Road: The Politics of Postwar Space in American Literature and Film.

机译:在家中和路上:美国文学和电影中的战后空间政治。

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摘要

"At Home and on the Road" explores how the spatial dimensions of America's policy of domestic containment were revealed and reflected through post-World War II fiction and film.;Chapter One contextualizes how the nation's social and imaginative landscape dramatically altered with the rise of suburbia and vast freeway systems. Political discourse combined with print and visual media to teach Americans that to protect their capitalist democracy from communism, they must perform relatively narrow identities and behaviors, including white middle-class heteronormativity, Christian morality, and material consumption. The suburban home was both a symbol and site for these identities and behaviors. Cars supported Americans' physical and ideological retreat to the suburbs: in them, nuclear families fled threatened urban centers even while fathers commuted to the same cities.;But if domestic containment depended on representations of the home and car to disseminate its conservative policies, these same representations had the power to undermine such policies. Chapter Two explores how both film melodramas and film noir critique containment's relegation of women to the domestic sphere, through their characterization, irony, and mise-en-scene: the melodrama heroine usually returns home but as a silent prisoner; conversely, the femme fatale dies on the road but not before tasting freedom. Chapter Three considers literature's treatment of that which film could not make explicit: nonnormative sexualities, including lesbianism and pedophilia. A comparison between the road trips in The Price of Salt and Lolita reveals containment's conflation of all nonnormative sexualities and its privileging of white masculinity, even over concerns for national security. In its examination of historical and fictional works, Chapter Four highlights one realm which postwar culture rendered invisible: the African American experience of space. African Americans often had limited access to the suburbs and open road. Public and private battles contesting their delimited mobility anticipate the full civil rights movement.;This project explores the varied ways in which advertisements, film, literature, and nonfiction perpetuated domestic containment. However, these representations of the home and road changed Americans' experience of those actual places and provided Americans their own spaces to challenge containment's prejudices.
机译:《在家和路上》探讨了第二次世界大战后的小说和电影如何揭示和反映美国对家庭的遏制政策的空间维度。第一章结合了美国的社会和富有想象力的格局如何随着美国的崛起而发生了巨大变化。郊区和广阔的高速公路系统。政治话语与印刷媒体和视觉媒体相结合,教会美国人保护资本主义民主不受共产主义的影响,他们必须表现出相对狭窄的身份和行为,包括白人中产阶级的异规范性,基督教道德和物质消费。郊区住宅既是这些身份和行为的象征,又是它们的场所。汽车支撑着美国人向郊区的身体和意识形态的退缩:在其中,即使父亲通勤到同一座城市,核心家庭也逃离了受到威胁的城市中心;但是,如果家庭收容措施依赖于住房和汽车的代表来传播其保守政策,这些同样的代表有权破坏这种政策。第二章探讨了电影情节剧和黑色电影批判遏制如何通过对妇女的刻画,讽刺和现场表演来将妇女降级到家庭领域。相反,蛇蝎美人死在路上,但没有品尝自由。第三章考虑文学对电影不能明确表达的内容的处理:非规范性,包括女同性恋和恋童癖。将《盐的价格》和《洛丽塔》中的公路旅行进行比较,可以发现,遏制措施将所有非规范性行为混为一谈,并遏制了白人男性气质,甚至出于对国家安全的担忧。第四章在回顾历史和虚构作品时,重点介绍了战后文化变得无形的一个境界:非裔美国人的太空经历。非裔美国人经常无法进入郊区和开阔的道路。与他们有限的机动性作斗争的公共和私人斗争将预示着整个民权运动。该项目探讨了广告,电影,文学和非小说类作品对家庭围堵进行长期保留的各种方式。然而,这些房屋和道路的表象改变了美国人对那些实际地点的体验,并为美国人提供了自己的空间来挑战遏制的偏见。

著录项

  • 作者单位

    University of California, Davis.;

  • 授予单位 University of California, Davis.;
  • 学科 Literature American.;American Studies.;Gender Studies.;Cinema.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 215 p.
  • 总页数 215
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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