The intent of this thesis is to focus on evocative objects to explore what is lost in the transition from tangible to digital and how personal meaning is altered by digitalization. "We are witnessing the sudden dematerialization of our arts and entertainment, their transfer from unique artifacts to universal on-demand screen availability."1 As we replace objects like photographs, books and music CDs with intangible digital versions, social and physical experiences get reconfigured. With more time being spent on-line, there is a growing emphasis on exchanging digital content and the network of self-projections shared virtually. As we continue towards an increasing digital environment, understanding emerging socio-cultural practices can provide insight into new directions for graphic design.;1 Sven Birkerts, "The Room & the Elephant," Los Angeles Review of Books, accessed June 7, 2011. http://blog.lareviewofbooks.org/post/6279168625/the-room-and-the-elephant.
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机译：本文的目的是将注意力集中在令人回味的对象上，以探索从有形到数字化过渡过程中丢失的内容，以及数字化如何改变个人含义。 “我们正在目睹我们的艺术和娱乐突然非物质化，它们从独特的人工制品转移到通用的按需屏幕可用性。” 1随着我们用无形的数字版本替换照片，书籍和音乐CD之类的对象，社交和物理体验得到了重新配置。随着在线上花费更多的时间，人们越来越强调交换数字内容和虚拟共享的自我投影网络。随着我们继续朝着日益增长的数字环境前进，对新兴的社会文化实践的了解可以为图形设计的新方向提供深刻见解。； 1 Sven Birkerts，“房间与大象”，洛杉矶书评，2011年6月7日访问。 http://blog.lareviewofbooks.org/post/6279168625/the-room-and-the-elephant。
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