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Scrapbook of the Revolution: Hypertext and the representation of history (China).

机译:《革命剪贴簿:超文本和历史的表现》(中国)。

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摘要

This study explores the qualities of hypertext as a vehicle for historical representation, particularly when compared to traditional narrative representations of history in books and movies. The study reviews the issues that historians have raised about the traditional narrative representation of history, then matches those concerns with corresponding claims that hypertext theorists make about hypertext as an expressive form, creating a framework within which a book (Mao: A Life by Philip Short), a documentary film (It's Right to Rebel!, produced by Ambrica Productions) and a Web site (Scrapbook of the Revolution, produced by Susan Jacobson, the author of this study) about the Chinese Cultural Revolution were analyzed and compared. The goal of the comparison and analysis was to determine what unique qualities, if any, hypertext brought to bear upon the representation of historical material.; The results of the study showed that the hypertextual Web site did exhibit qualities that were related to concerns that historians have raised about the traditional narrative representation of history and claims about hypertext as an expressive form as predicted by hypertext theorists, although some of the consequences of these qualities were less obvious than theory would suggest. The study also found that the book and the film could be found to have some limited hypertextual qualities when analyzed in terms of the formal properties of hypertext.
机译:这项研究探索了超文本作为历史表征工具的特质,尤其是与书籍和电影中传统的历史叙事表征相比时。该研究回顾了历史学家提出的有关历史的传统叙事表征的问题,然后将这些关注与超文本理论家将超文本作为一种表现形式提出的相应主张相匹配,从而在其中构筑了一本书的框架(《毛:一生》,菲利普·肖特),对与中国文化大革命有关的纪录片(《反叛的权利》,由Ambrica Productions制作)和网站(《革命剪贴簿》,由苏珊·雅各布森(Susan Jacobson)制作)进行了分析和比较。比较和分析的目的是确定超文本对历史资料的表现具有什么独特的品质(如果有的话)。研究结果表明,超文本网站确实表现出与历史学家对历史的传统叙事表示和超文本理论家所预言的将超文本作为一种表现形式的主张有关的担忧有关的质量,尽管这些品质并不像理论所暗示的那么明显。研究还发现,根据超文本的形式属性进行分析时,可以发现该书和电影具有某些有限的超文本质量。

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