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Citizens everywhere: Modernism, decolonization, and discourses of citizenship.

机译:世界各地的公民:现代主义,非殖民化和公民权论述。

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摘要

This dissertation analyzes the construction of citizenship in modernist and post-colonial literary, cultural and political texts. While the diasporic and cosmopolitan roots of modernism are well documented by critics, my project analyzes the ways in which British and American modernists theorize and historicize their affiliation to a chosen or naturalized constituency. I primarily focus on modernist writers' identification with the nation across the registers of nationalism, gender and state. My project also engages with Indian and Carribean perspectives on citizenship as it evolves from a vocabulary of Western liberal notions of self-government within the context of liberal imperialism.; My project primarily attempts to address two areas of critical concern. The first pertains to a cultural material framework to contextualize the varieties of modernist anti-liberalism. More often than not, modernism is theorized as a monolithic aesthetic movement whose anti-liberalism primarily constitutes a deliberate construction of a gap between high-culture and mass culture. This project demonstrates that modernist anti-liberalism vigorously debates the definition of the liberal nation state and forms of interwar nationalism by considering what it means to be a citizen in an era defined by the crisis of the liberal nation-state, the disintegration of the British empire and the rise of the totalitarian state. I begin by demonstrating that critical constructions of Eliot's conservatism, primarily deriving from his self-definition as a British-Anglican and royalist, entirely overlook the forceful confrontation between his poetic aesthetics and inter-war nationalism's definition of citizenship. Similarly, my chapter on Woolf argues that her break with Edwardian materialism comes to constitute a modernist female agency that contests both nationalism and imagines England as a post-imperial and post-patriarchal territory. I read Pound's turn to Fascist totalitarianism as deriving from, among other things, a specific interpretation of Thomas Jefferson's definition of economic self-determination for the citizens of the newly post-colonial American republic.; The second area of concern pertains to the critical treatment of (post)-colonial nationalism that either sees it as a derivative form of Western liberalism or an expression of oppressive xenophobia. My project analyzes Indian colonial discourses and the writings of Pan-African Marxist, C. L. R. James to demonstrate the variety of adaptations and departures from Western liberalism undertaken by anti-imperial nationalism. I am especially concerned with James's particular critique of the typologies of class-hegemony and national community generated by the Western liberal nation state, that is often ignored.
机译:本文分析了现代主义和后殖民时期的文学,文化和政治文本中的公民身份建构。尽管批评家充分记录了现代主义的泛滥和国际主义根源,但我的项目分析了英美现代主义者对他们与某个选定或归化选区的隶属关系进行理论化和历史化的方式。我主要关注现代主义作家对民族主义,性别和国家各方面的认同。我的项目还涉及印度和加勒比关于公民身份的观点,因为它是在自由帝国主义背景下从西方自由主义自治概念的词汇演变而来的。我的项目主要尝试解决两个关键问题。第一个问题涉及一种文化材料框架,用于将现代主义反自由主义的各种背景语境化。现代主义常常被理论化为一种整体的美学运动,其反自由主义主要构成了蓄意建构高文化与大众文化之间的鸿沟。该项目表明,现代主义者的反自由主义通过考虑在自由民族国家危机,英国解体的时代定义的公民身份,对自由民族国家和战争间民族主义的形式进行了激烈的辩论。帝国和极权国家的崛起。我首先证明,艾略特的保守主义的批判性建构主要源于他作为英裔英国人和保皇主义者的自我定义,完全忽略了他的诗意美学与两次世界大战之间的民族主义对公民身份的定义之间的有力对抗。同样地,在我的伍尔夫一章中,我认为她对爱德华主义唯物主义的打破构成了一个现代主义的女性机构,该机构既与民族主义竞争,又将英格兰想象为后帝国和重男轻女的领土。我读庞德之所以转向法西斯极权主义,是因为它特别是对托马斯·杰斐逊对新殖民地后的美利坚合众国公民的经济自决的定义的具体解释。第二个令人关注的领域是对(后)殖民民族主义的批判性对待,它要么将其视为西方自由主义的衍生形式,要么将其视为压迫仇外心理。我的项目分析了印度的殖民话语和泛非马克思主义者C. L. R. James的著作,以展示反帝民族主义对西方自由主义的适应和背离。我特别关注詹姆斯对西方自由民族国家产生的阶级霸权和民族共同体类型的特殊批评,这种批评经常被忽视。

著录项

  • 作者

    Nayak, Srila.;

  • 作者单位

    Carnegie Mellon University.;

  • 授予单位 Carnegie Mellon University.;
  • 学科 Literature English.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 294 p.
  • 总页数 294
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I561;
  • 关键词

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