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Digital signal processing techniques for music structure analysis.

机译:音乐结构分析的数字信号处理技术。

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摘要

Automatic music structure analysis from audio signals is an interesting topic that receives much attention these days. Its objective is to find the music structure by decomposing the music audio signals into sections and detect the repetitive parts. The technique will benefit music data analysis, indexing, retrieval and management. In this research, a three-level framework of music structure analysis is proposed. The first level is the beat level. Musical audio signals are analyzed via tempo analysis and the beat is derived as the basic temporal unit for each music piece. Then, feature vectors are extracted for each basic unit. The second level is the measure level, a similarity matrix between measures can be constructed based on multiple feature vectors in one measure. Then, the third level is the structure level, whose elements, for example, in a pop or rock song consists of the repetitive parts such as verses and choruses and the non-repetitive parts such as intro, outro and bridge. A technique based on dynamic programming is proposed to search similar parts of a song. With post-processing, the musical sections of the song can be extracted and their boundaries are estimated.; Many digital signal processing (DSP) techniques are proposed to address low-level music signal processing problems in the thesis. They are used to analyze the characteristics of musical audio signals. Specifically, techniques based on the phase-locked-loop (PLL), Kalman filter and the Hidden Markov Model (HMM) are developed for musical beat tracking. The beat locations are estimated on-line for the first two techniques while off-line for the last technique. To further tackle the incorrect measurements of beats, an enhanced probabilistic data association (PDA) that considers both information of prediction residual and music onsets' intensities is applied to original Kalman filter. On the other hand, for HMM-based musical beat tracking, a special state space is built to model the beats' periodic progression and Viterbi algorithm is used to estimate the beats' locations by decoding the musical audio signal into a sequence of beat states and non-beat states. Moreover, dynamic time warping (DTW) is used to calculate the optimized distance between two segments of music signals and thus helps building the measure-level similarity matrix. Finally, the measure-level similarity matrix is analyzed and repetitive parts of a song such as verses and choruses are identified via dynamic-programming-based technique. These are pioneering efforts in the music signal processing field, which appears to be a new frontier in digital signal processing.
机译:来自音频信号的自动音乐结构分析是一个有趣的话题,近年来受到了很多关注。其目的是通过将音乐音频信号分解为多个部分并检测重复部分来找到音乐结构。该技术将有益于音乐数据分析,索引,检索和管理。在这项研究中,提出了一个三级的音乐结构分析框架。第一级是节拍水平。通过速度分析来分析音乐音频信号,并将节拍导出为每个音乐作品的基本时间单位。然后,为每个基本单元提取特征向量。第二级是度量级别,可以基于一个度量中的多个特征向量来构建度量之间的相似性矩阵。然后,第三级是结构级,例如在流行或摇滚歌曲中,其元素由重复性部分(如诗句和合唱)和非重复性部分(如前奏,外奏和桥接)组成。提出了一种基于动态编程的技术来搜索歌曲的相似部分。通过后期处理,可以提取歌曲的音乐部分并估计其边界。本文提出了许多数字信号处理(DSP)技术来解决低级音乐信号处理问题。它们用于分析音乐音频信号的特性。具体而言,开发了基于锁相环(PLL),卡尔曼滤波器和隐马尔可夫模型(HMM)的技术来进行音乐节拍跟踪。对于前两种技术,节拍位置是在线估计的,而对于最后一种技术,节拍位置是离线估计的。为了进一步解决节拍的不正确测量,将考虑了预测残差信息和音乐发作强度的信息的增强概率数据关联(PDA)应用于原始卡尔曼滤波器。另一方面,对于基于HMM的音乐节拍跟踪,将建立一个特殊的状态空间来对节拍的周期性进行建模,并使用Viterbi算法通过将音乐音频信号解码为节拍状态序列来估计节拍的位置。非节拍状态。此外,动态时间规整(DTW)用于计算音乐信号两段之间的最佳距离,从而有助于建立度量级相似度矩阵。最后,通过基于动态编程的技术对小节级别的相似度矩阵进行分析,并确定歌曲的重复部分(如诗句和合唱)。这些是音乐信号处理领域的开创性工作,它似乎是数字信号处理的新领域。

著录项

  • 作者

    Shiu, Yu.;

  • 作者单位

    University of Southern California.$bElectrical Engineering: Doctor of Philosophy.;

  • 授予单位 University of Southern California.$bElectrical Engineering: Doctor of Philosophy.;
  • 学科 Engineering Electronics and Electrical.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 141 p.
  • 总页数 141
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 无线电电子学、电信技术;
  • 关键词

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