文摘
英文文摘
独创性声明及学位论文版权使用授权书
Acknowledgements
Part One Introduction
1.1 A General Review of O'Neill's Spiritual Progress
1.1.1 Nietzsche and the Grecian Tragedy
1.1.2 Strindberg as the Pilot to O'Neill
1.2 A Literature Review and Appraisement of O'Neill's Drama
1.2.1 Recent Study Conditions in China
1.2.2 Domestic Feministic Study of O'Neill
1.2.3 The Author's Attitude
Part Two O'Neill's Feministic Consciousness
2.1 Sources of His Feministic Consciousness
2.1.1 Life under Mother's Shadow
2.1.2 Learning from Marriage and Growing up
2.1.3 Carlotta's Influence on O'Neill
2.2 Conception and Examples of O'Neill's Feministic Consciousness
2.2.1 Mary Tyrone and the Desired Fleshy Abbie
2.2.2 Evelyn and Ella the Destroyer in All God's Chillun
2.2.3 His Early Research of Women Problems
Part Three Analysis of Characters in A Touch of the Poet
3.1Plot Introduction
3.2 Melody's Feminine Depiction
3.2.1 Melody's Narcissistic Complex
3.2.2 Melody the Anima Prototype
3.3 Nora the Standard Female in Parental Society
3.4 Sara the Ring of the Awakening of Feministic Consciousness
3.5 Analysis of Female Symbols
3.5.1 The Tavern and Its Surroundings
3.5.2 The Thoroughbred Mare
3.5.3 Feministic Naming
Part Four Feministic Motifs in Stage Arrangement
4.1 Feministic Ideas Implied by the Plot
4.2 The Implied Meaning of Mare Killing
Part Five Conclusion
Bibliography
