封面
声明
致谢
中文摘要
英文摘要
目录
Introduction
Structure of the Thesis
Theoretical Framework
Research Significance
Chapter One Literature Review
1.1 Studies on Translation Anthology
1.2 Studies on Construction of China’s Image through Translation
1.3 Studies on Columbia Translation Anthologies and Their Anthologists
Chapter Two Literary Image in Translation:Obsession with China
2.1 Literary Themes:Moral Burden of Modern Chinese Fiction
2.2 Major Literary Trends
2.3 Pervading Means of Artistic Expression
Chapter Three Cultural Image in Translation:Ambivalence towards Tradition and Modernity
3.1 Social Hierarchy
3.2 Traditional Chinese Ethics
3.3 Traditional Chinese Religion and Philosophy
Chapter Four Motives Behind Anthologists’ Choices in Image Construction
4.1 Evolution of the Images of Modern Chinese Fiction
4.2 Motives behind the Divergent Images of Modern Chinese Fiction
Chapter Five Metonymies of Translation Anthology in Image Construction
Conclusion
参考文献