封面
英文摘要
中文摘要
目录
CHAPTER I INTRODUCTION
A. An Introduction to Eugene O’Neill and His Plays
B. Archetype and Archetypical Criticism
1. Archetype
2. Archetypal Criticism
C. Thesis Statement
CHAPTER II THE ARCHETYPES IN O’NEILL’S PLAYS
A. The Sea---A Mysterious Force over Man
1. The Sea Image in Mourning Becomes Electra
2. The Sea Image in Long Day’s Journey into Night
B. The Fog---A Complex Mystery
C. The Home---A Harbor out of Reach
1. The Home Image in Desire under The Elms
2. The Home Image in Mourning Becomes Electra.
3. The Home Image in Long Day’s Journey into Night
D. A Summary
CHAPTER III THE“EVENTS”ARCHETYPES IN O’NEILL’S PLAYS
A. Oedipus Complex and Electra Complex
1. Eben’s Oedipus Complex in Desire under The Elms
2. Orin’s Oedipus Complex in Mourning Becomes Electra
3. Lavinia’s Electra Complex in Mourning Becomes Electra
B. The Conflict between the Spirit of Apollo and Dionysus
1. The Conflict between Ebbie and Cabot in Desire under The Elms
2. The Conflict between Ebbie and Eben in Desire under The Elms
3. The Conflict between Lavinia and Mother Christine in Mourning Becomes Electra
C. Medea’s Infanticide:Ebbie’s Infanticide in Desire under The Elms
D. The Creation of the God:The Creation of Cabot in Desire under The Elms
E. A Summary
CHAPTER IV CONCLUSION
A. Main Findings
1. Archetypes in O’Neill’s Plays
2. Control of Collective Unconsciousness on O’Neill’s Writing
B. The Significance of Main Findings
C. Suggestions
参考文献
致谢