摘要
Abstract
Contents
1 Introduction
1.1 Research Background
1.2 Research Purpose and Significance
1.3 Layouts of the Thesis
2 Literature Review
2.1.1 Research of Multimodal Discourse Analysis Abroad
2.1.2 Research of Multimodal Discourse Analysis at Home
2.2 Overview of the Filmic Discourse Analysis
2.3 Summary
3 Theoretical Framework
3.1 Functional Gammar
3.2 Visual Grammar
3.2.1 Representational Meaning
3.2.2 Interactive Meaning
3.2.3 Compositional Meaning
3.3 O’Halloran’s Multimodal Filmic Discourse Analysis
3.4 A Proposed Framework for Analyzing the Filmic Discourse in The Shawshank Redemption
3.5 Summary
4 Multimodal Discourse Analysis of The Shawshank Redemption
4.1 Introduction to the Movie The Shawshank Redemption
4.2 Analysis from the Perspective of Representational Meaning
4.2.1 Analysis of The Representation of the Narrative Process
4.2.2 Analysis of the Representation of the Conceptual Process
4.3 Analysis from the Perspective of Interactive Meaning
4.3.1 The Dynamism of the Interactive Meaning
4.3.2 Contact
4.3.3 Social Distance
4.3.4 Perspective
4.3.5 Modality
4.4 Analysis from the Perspective of Compositional Meaning
4.4.1 Information Value
4.4.2 Salience
4.4.3 Framing
4.5 Modality Forms in The Shawshank Redemption
4.6 Relationship Among Different Modality Forms
4.7 Summary
Conclusion
Bibliography
Publications during M.A.Study
Acknowledgements
声明