声明
致谢
Chapter One Introduction
1.1 Research Background
1.2 Significance and Objectives
1.3 Data Collection and Methodology
1.4 Layout of the Thesis
Chapter Two Literature Review
2.1 Studies of Multimodal Metaphor
2.1.1 Studies of Multimodal Metaphor at Home
2.1.2 Studies of Multimodal Metaphor Abroad
2.2 Studies of Food Documentary
2.3 Summary
Chapter Three Theoretical Basis
3.1 Definition of Multimodal Metaphor
3.1.1 Definition of Mode
3.1.2 Monomode and Multimode
3.2 Conceptual Metaphor Theory
3.3 Intersemiotic Complementarity Theory
3.4 Summary
Chapter Four Multimodal Metaphors in A Bite of Chongqing
4.1 An introduction to A Bite of Chongqing
4.2 Main Types of Multimodal Metaphors in A Bite of Chongqing
4.2.1 Mapping from Concrete Domain to Abstract Domain
4.2.2 Mapping from Abstract Domain to Concrete Domain
4.2.3 Mapping from Abstract Domain to Abstract Domain
4.2.4 Summary
4.3 The Meaning Co-construction of Multimodal Metaphors in A Bite of Chongqing
4.3.1 Intersemiotic Complementarity of Visual and Verbal Modes
4.3.2 Intersemiotic Complementarity of Visual and Music Modes
4.3.3 Intersemiotic Complementarity of Verbal and Visual and Music Modes The multimodal metaphor that LIFE IS A SONG is composed of visual and verbal
4.4 Summary
Chapter Five Textual Intentions of Multimodal Metaphors in A Bite of Chongqing
5.1 Promoting Food and Traveling Culture
5.2 Presenting the Character of Chongqing People
5.3 Creating the Image of Chongqing
5.3.1 Chongqing as a Historical City
5.3.2 Demonstrating the Diversity of Chongqing
5.3.3 Enhancing City Self-confidence
5.3.4 Establishing City Images
5.4 Summary
Chapter Six Conclusion
6.1 Major Findings
6.2 Limitations of the Present Study
6.3 Suggestions for Future Study
参考文献
Appendix Ending Song in A Bite of Chongqing
