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Participatory enaction of music: Key points towards radicalizing the notion of embodiment in music

机译:音乐的参与式信息:激活音乐实施例的关键点的关键点

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Cognition -sense-making-is an affective-laden activity that takes place across 'brain, body, and environment' [1], [2], [3]. Strong naturalistic -yet non reductive-claims about the continuity between life and cognition distinguish Enactivism from other theories and implementations of the notion of embodiment [4]. Enactivism, in 'Varela style', rejects the received view of the body as contingent and the social environment as contextual, a view still held by 'mentalists' conceptualizations of embodiment. Enactivism, on the contrary, sees the body as continuously constitutive of sense-making processes [2], [3], [4], [5] and social interaction as the domain where 'higher cognitive processes' -such as linguistic use-take place [6].
机译:认知 - 制作 - 是一种情感 - 升起的活性,患有“大脑,身体和环境”[1],[2],[3]。 强大的自然主义的 - yet无减少 - 关于生命和认知之间的连续性的索赔与实施方式的概念的其他理论和实施方式区分旨在和实现[4]。 在'瓦雷拉风格'中,审查,拒绝身体的接受视图,作为偶然的和社会环境,作为上下文,仍然是实施例的“心理学家的概念化”。 相反,拟章主义将身体视为不断组成的感觉过程[2],[3],[4],[5]和社会互动作为域名,作为语言使用的“更高的认知过程”-Such - 发生[6]。

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