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Participatory enaction of music: Key points towards radicalizing the notion of embodiment in music

机译:音乐的参与式信息:朝向激活音乐实施例的概念的关键点

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Cognition -sense-making-is an affective-laden activity that takes place across 'brain, body, and environment' [1], [2], [3]. Strong naturalistic -yet non reductive-claims about the continuity between life and cognition distinguish Enactivism from other theories and implementations of the notion of embodiment [4]. Enactivism, in 'Varela style', rejects the received view of the body as contingent and the social environment as contextual, a view still held by 'mentalists' conceptualizations of embodiment. Enactivism, on the contrary, sees the body as continuously constitutive of sense-making processes [2], [3], [4], [5] and social interaction as the domain where 'higher cognitive processes' -such as linguistic use-take place [6].
机译:认知 - 制作 - 是一种情感 - 载有含有的升起的活动,它发生在“大脑,身体和环境”[1],[2],[3]。强大的自然主义 - 造型无减少 - 关于生命与认知之间的连续性的索赔区分了实施方式的其他理论和实施方式的旨在和实现[4]。在'瓦雷拉风格'中,审查人体的接受视图,作为偶然的身体和社会环境,作为上下文,仍然被一个实施方式的“心理学家”概念化持有的视图。相反,拟章主义将身体视为不断组成的感应过程[2],[3],[4],[5]和社会互动作为域名,其中更高认知过程'-Such作为语言使用 - 发生[6]。

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