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Local Wisdom of Lampung Guitar Petting Performed by Saibatin Ethnic

机译:Saibatin民族表演的露天吉他宠物的当地智慧

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Guitar petting is a genre of traditional Lampung music with solo guitar performance used to accompany songs. This guitar play is commonly used in Lampung traditional processions. Overall, this guitar play always goes along with by songs using the Lampung language. This is a qualitative research with an ethnographic approach. The function of the guitar in the Lampung community is as a communication means between a boy and a girl and as an entertainment. Guitar petting is played by strings picked one by one or broken chords played in a rising or descending order. Lampung guitar petting can be played by one person as a guitar player and a singer or can be performed by two people with one guitarist and one vocalist. The coastal tribal guitar petting uses original standard and classical tuning and the Phrygian mode. This guitar petting accompaniment uses improvisation, so that a player can vary in strumming the guitar and on the chords contained in the song. Chords used are the iii, v, and vi chords. Lampung coastal tribe's guitar petting also uses slur technique, and the accompaniment rhythm they make includes slimpat. This rhythm is almost the same as the dangdut pattern but different.
机译:吉他抚摸是一种传统的露天音乐类型,具有用于伴随歌曲的独奏吉他性能。这种吉他剧本通常用于露天传统游行。总的来说,这吉他戏剧总是通过使用灯头语言的歌曲。这是一种具有民族志法的定性研究。灯石在露出灯笼中的功能是男孩和一个女孩之间的沟通方式,作为娱乐。吉他抚摸是由以上升或降序发挥的一个或破碎的和弦挑选的琴弦。露天吉他抚摸可以由一个人作为吉他手和歌手扮演,或者可以由两个吉他手和一个歌手的两个人进行。沿海部落吉他抚摸使用原始标准和经典调谐和山脊模式。这款吉他伴随着伴奏使用即兴创作,使玩家可以随着吉他和歌曲所含的和弦而变化。使用的和弦是III,V和VI和弦。露天沿海部落的吉他抚摸也使用浆料技术,以及他们所做的伴奏性节奏包括滑块。这种节奏与Dangdut模式几乎相同,但不同。

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