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Inventing 'Modern Architecture': Government and Social Order in the USSR in 1930s

机译:发明“现代建筑”:20世纪30年代苏联的政府和社会秩序

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This paper describes the use of architecture as an instrument of propaganda and symbolic representation of the government doctrines, which achieved a particular acuteness during the interwar period in the USSR. The system of governing the art world by the state created in those years retained its influence during the following decades. That's why, after 80 years passed, it's so important to look into the mechanisms that made this process run. This paper aims to analyze social and political sources of major events in the 1920-1930s architecture based on archive and press studies. This material, unveiling the culture governing mechanisms in the prewar USSR, could contribute to better knowledge of the inner reasons of 1932 aesthetic and institutional reconstruction of architectural activity, and also of the 1937 All-Union architectural meeting's sense and goals.
机译:本文介绍了建筑用作政府学说的宣传和象征性的象征性,这在苏联的白球期间实现了特定的焦点。通过在这些年内创建的国家提供艺术世界的制度在以下几十年中保留了其影响力。这就是为什么,在80年通过后,研究使这个过程运行的机制如此重要。本文旨在根据档案和新闻研究分析1920年至1930年代架构的社会和政治来源。这种材料,揭示了预警苏联的文化管理机制,可以更好地了解建筑活动的1932年审美和体制重建的内心原因,也是1937年的全联盟建筑会议的感觉和目标。

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