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Innovation of Narrative Theme and Narrative Time of the Television Dramas on the Period of the Republic of China: Centering on Legend of Fragrance

机译:中华民国时期的叙事主题和叙事时间的创新:殷勤芬芳

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The theme of Chinese TV drama about the period of Republic of China heavily relies on the division of time, and the narrative theme is indulged in rendering of love and the narrative technique is "short and flat". That is easy to dilute the diversity of the themes of the Republic of China and cause the proliferation of homogeneous works. The Chinese present television drama Legend of Fragrance has jumped out of these limitations, taking "fragrance" as the narrative field, effectively combining multiple themes of the times, and relying on the selection of narrative time and the narrative network of multi-angle character relations, highlighting the paternal narration to avoid excessive love imbroglio. In a serious historical atmosphere, the quality of the work has been set. The creative technique of the play reflects the trend of multi-theme integration of the current drama on Republic of China theme, which has great enlightening significance to the exploration of the theme and narrative techniques of Chinese TV drama.
机译:中国电视剧关于中国共和国的主题大量依赖于时间划分,叙述主题沉迷于爱的渲染,叙事技术“短而公寓”。这很容易淡化中华民国主题的多样性,并导致同质作品的扩散。中国目前的电视剧香水传奇已经跳出了这些限制,以“香水”作为叙事领域,有效地结合了时代的多个主题,并依赖于叙事时间和多角度字符关系的叙事网络的选择,突出父亲叙述来避免过度的爱情幕布。在严重的历史氛围中,工作的质量已经确定。该剧的创造性技术反映了中华民国目前戏剧的多主题整合的趋势,对中国电视剧的主题和叙事技术探讨了巨大的启示性意义。

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