首页> 外文会议>Conference of the International Sports Engineering Association >An assessment of postural sway in ballet dancers during first position, releve and saute with accelerometers.
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An assessment of postural sway in ballet dancers during first position, releve and saute with accelerometers.

机译:加速度计的第一位置芭蕾舞舞者姿势摇摆的评估。

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摘要

Classical ballet is a performance art where unintentional and uncontrolled movement degrades the aesthetic. Vertical torso movement can induce body tilt. Postural sway was measured in pre-professional ballet dancers when performing simple vertical movements. 47 pre-professional dancers (5 males and 42 females, mean age in years = 19.2, SD= ± 1.3) on a full time undergraduate dance program were asked to stand in first position and perform a demi-plie, a releve and a saute. These movements were performed in a continuous cycle undertaken 15 consecutive times. The first 5 cycles were undertaken as practice. The second set of 5 cycles were recorded with the arms held in Bras bas, with the final 5 having the arms held in fifth position (rounded arms placed above the head). Accelerometers were attached to the lumber spine (L4) and thoracic spine (T1-T2). The tilt during the demi-plie prior to the saute and relev6 increased significantly for both arm positions. The male participants preparative angle change was much larger than the female participants (p = 0.07). No significant angle change was observed between the Bras bas and arms in fifth position for the saute but the change is significant for the releve (p = 0.007). Exaggerated forward tilt is undesirable both aesthetically and biomechanically. Small accelerometer sensors on the spine can allow self-monitoring practice of these basic classical ballet movements.
机译:古典芭蕾舞是一种性能艺术,无意和不受控制的运动来降低美学。垂直躯干运动可以诱导身体倾斜。在进行简单的垂直运动时,在预职业芭蕾舞演员中测量姿势摇摆。 47个专业前舞者(5名男性和42名女性,在几年的平均年龄= 19.2,SD =±1.3)被要求在第一职位上站立并执行Demi-Plie,Releeve和Seute 。这些运动在连续15次进行的连续循环中进行。前5个周期作为实践进行。用在BRAS BAS中保持的臂记录第二组5个循环,最终5具有臂在第五位置保持(圆形臂放在头部上方)。加速度计连接到木材脊柱(L4)和胸椎(T1-T2)上。在燃料和相关性之前,在Demi-plie期间的倾斜度显着增加了两个臂位置。男性参与者的制备角变化远大于女性参与者(P = 0.07)。在苏氏菌中的第五个位置之间观察到胸罩和臂之间没有显着的角度变化,但变化对于releve是显着的(p = 0.007)。夸张的前向倾斜是美观和生物机制的不合需要的。脊柱上的小型加速度计传感器可以允许这些基本古典芭蕾运动的自我监控实践。

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