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Focus on Tragic Fate of Lower-class Female Citizens in Social Transition Period - A Case Study of Film Feng Shui

机译:专注于社会转型期下阶层女性公民的悲剧命运 - 以电影为例冯水

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Film Feng Shui is adapted from the novel of the same name by Fang Fang with strong tragedy consciousness and realism style of the original novel. This film focuses on tragic fate and personality of heroine Li Baoli, and leads the audience to think about living dilemma of lower-class female citizens in social transition period. Female writer Fang Fang, from Wuhan, is one of representative writers of Chinese "New Realism" School, and her novels focus particularly on fate of females from all classes and especially intellectuals and lower-class citizens. In a series of novels with females as the heroines such as Where Is Home, Running Flames, and Feng Shui etc, Fang Fang builds a world of females, reveals fate of females and implies profound critical discourse of females with words full of enthusiasm and painstaking efforts. In December 2012, her novel Feng Shui was adapted into a film of the same name and released to the public. This film is directed by Wang Jing with strong tragedy consciousness of the original novel, focuses on tragic fate and personality of the heroine, and leads the audience to think about living dilemma of lower-class female citizens in social transition period.
机译:电影风水是改编自同名小说芳芳具有很强的悲剧意识与原著小说的写实风格。这部影片的重点是悲惨的命运和女主角栗包璃的个性,引导受众去思考生活下层阶级的女性公民的困境在社会转型时期。女作家方方,来自武汉,是中国“新写实派”代表作家之一,她的小说特别注重女性的命运,从各阶层,尤其是知识分子和下层社会的公民。在与女性系列小说的女主人公比如,何处是家园,运行火焰,和风水等,芳芳建立女性的世界,揭示了女性的命运,意味着女性的深刻批判话语用文字饱满的热情和心血努力。在2012年12月,她的小说风水被改编成同名电影,并公布于众。这部影片是由王晶执导与原著小说的强大的悲剧意识,着眼于悲惨的命运以及主人公的个性,引领观众去思考生活下层阶级的女性公民的困境在社会转型时期。

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