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On the Ethnic Factors in the Piano Works of Jiang Wenye

机译:论江文伊钢琴作品中的民族因素

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As a remarkable composer in Chinese modern music creation history, Jiang Wenye had many works involved in many sectors, among which the most extraordinary is that his piano works is well-accepted and highly praised by people for its large number and excellent quality. Therefore, Jiang Wenye had been a representative person in the creation of piano music in 1930s and 1940s. This paper makes profound analysis on the evolution of the music styles of Jiang Wenye's piano works in different stages and the presentation of ethnic factors in them by combining with his personal life experience; and then makes comments for the combination of Chinese and western styles in Jiang Wenye's piano works to emphasize his major contributions and the important status of its works.
机译:作为中国现代音乐创作历史上的一个非凡的作曲家,江文义有许多涉及许多行业的作品,其中最不合适的是,他的钢琴作品被人们受到了很大的良好,高度赞扬,以其大量和卓越的品质。因此,江文耶是在20世纪30年代和20世纪40年代创造钢琴音乐的代表人。本文对江文耶钢琴音乐风格的演变进行了深刻的分析,并通过与他的个人生活经验相结合,对他们的民族因素呈现;然后对江文耶钢琴的中西式款式的结合作出评论,努力强调他的主要贡献和其作品的重要地位。

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