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AESTHETIC AUTHENTICITY AND CONSUMMATE EXPERIENCE

机译:审美真实性和完善的经验

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In marketing, the concept of authenticity has been linked to branding (Beverland 2005; Brown et al. 2003) and consumption behavior (Belk and Costa 1998; Holt 1997; Kozinets 2002). It has been used to legitimize and/ or add value to products and services, to categorize consumers (Grayson and Martinec 2004), and most recently to understand consumer motivation (Beverland and Farrelly 2010). Evidence suggests that both researchers and consumers have varying ideas of what authenticity actually means. While most studies of authenticity describe historical legitimacy or a direct connection to a famous person, place, or event (see Grayson and Martinec 2004), these studies do not explain the authenticity ascribed to modern branded items, or representations that have been described as "authentic reproductions." Authenticity is not solely derived from history and instead it is also created or manifested in the market though association with consummate experience.
机译:在营销方面,真实性的概念与品牌(Beverland 2005; Brown等,2003)和消费行为(Belk和Costa 1998; Holt 1997; Kozinets 2002)有关。 它已被用于合法化和/或增加产品和服务,以对消费者(Grayson和Martinec 2004)进行分类,并且最近是理解消费者动机(Beverland和Farrelly 2010)。 证据表明,研究人员和消费者都有不同的想法,这实际上是什么真实性。 虽然对真实性的大多数研究描述了与着名人物,地点或事件的历史合法性或直接连接(见Grayson和Martinec 2004),但这些研究没有解释对现代品牌物品的真实性,或已被描述为“的陈述” 真实的复制品。“ 真实性不仅仅是从历史中衍生出来,而且虽然与完善的经验联系,但它也是在市场上创造或表现出的。

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