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Accuracy, Authenticity, Fidelity: Aesthetic Realism, the “Deficit Model,” and the Public Understanding of Science

机译:准确性,真实性,保真度:审美现实主义,“赤字模型”,以及对科学的公众了解

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摘要

“Deficit model” designates an outlook on the public understanding and communication of science that emphasizes scientific illiteracy and the need to educate the public. Though criticized, it is still widespread, especially among scientists. Its persistence is due not only to factors ranging from scientists’ training to policy design, but also to the continuance of realism as an aesthetic criterion. This article examines the link between realism and the deficit model through discussions of neurology and psychiatry in fiction film, as well as through debates about historical movies and the cinematic adaptation of literature. It shows that different values and criteria tend to dominate the realist stance in different domains: accuracy for movies concerning neurology and psychiatry, authenticity for the historical film, and fidelity for adaptations of literature. Finally, contrary to the deficit model, it argues that the cinema is better characterized by a surplus of meaning than by informational shortcomings.
机译:“赤字模型”指定公众理解和科学沟通的观点,强调科学文盲和需要教育公众的需要。虽然批评,但它仍然普遍,特别是在科学家之间。其持久性不仅是由于科学家们培训对政策设计的因素,而且还是作为美学标准的现实主义的持续。本文通过对小说电影的神经科和精神病学讨论,通过关于历史电影的辩论和文学的电影适应的辩论来研究现实主义与赤字模型之间的联系。它表明,不同的价值观和标准倾向于占据不同领域的现实主义立场:关于神经学和精神病学的电影准确性,历史电影的真实性以及文学适应的忠诚度。最后,与赤字模型相反,它争辩说,电影的特点是比通过信息缺点的盈余盈余。

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