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(751) CREATIVITY AS A TOOL FOR NEW TEACHING-LEARNING REALITIES

机译:(751)创造力作为新教学现实的工具

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This abstract presents a part of the bibliographic exploration part of a state-of-the-art presented in a Fashion Design PhD thesis. This PhD study seeks for innovation in design education through creative methodologies. It is a theoretical approach that serves as a basis for innovative practical applications in the teaching-learning process. The creativity is one of those approaches that has been the subject of all political and economic agendas in societies since the beginning of the 21st century, by its ability to solve problems through a holistic view. The methods and process guided by creativity orientate the thoughts to reach results less obvious and more efficient. The Design Thinking (DT) methodology is one of those constructivist and exploratory approaches to creativity, a thought process that can intuitively design new realities, innovation, and problem solving in a intuitively way. Before only used by designers and its schools, now this concept it is already introduced in educational explorations in the opposition of traditional education where the teacher owns the knowledge that passes the information to the students. This article presents through the methodology of a case study, the explorations of research teachers from different parts of the globe, in different areas of action, in order to understand how the teaching-learning processes and methodology’s using creativity have been applied to update. The objective is to understand how to stimulate the culture of creativity within education so that it can be transported to the textile industry, where a certain freedom of expression and action, necessary in creative environments, must be provided. However, this is little used when it comes specifically to the area where it is forced to work with fashion trends and fast consumption/discard products. This article presents as a result a reflection on the importance of creativity and its teaching within the academic environment and its subsequent use in business environments, in antithesis with the design associated with uncontrolled consumption, where the creation is usually done from an act mechanized and automatic.
机译:该摘要介绍了在时尚设计博士论文中呈现的最先进的书目勘探部分的一部分。这项博士学位研究通过创造性方法来寻求设计教育的创新。它是一种理论上的方法,作为教学过程中创新实际应用的基础。创造力是自21世纪初以来一直是社会中所有政治和经济议程主题的方法之一,通过全面的观点解决问题的能力。通过创造力指导的方法和过程定向达到达到的思想,这不太明显且更高效。设计思维(DT)方法是创造力的构建主义和探索方法之一,一个可以直观地设计新现实,创新和解决问题的思考过程。在设计师及其学校仅用于设计师和学校之前,这一概念已经在教育探索中介绍了传统教育的反对,老师拥有将信息传递给学生的​​知识。本文介绍了案例研究的方法,研究教师从全球各地的研究教师探索,在不同的行动领域,以了解如何使用创造力的教学过程和方法是如何应用更新。目的是了解如何刺激教育内部创造力文化,以便必须提供它可以提供给纺织业,在那里必须提供在创造性环境中必需的一定的表达和行动自由。然而,当它专门用于迫使其被迫使用时尚趋势和快速消费/丢弃产品时,这很少使用。本文呈现出对创造力及其在学术环境中的教学的重要性及其随后在商业环境中使用的重要性,在对立面的情况下,与不受控制的消费相关的设计,创造通常从机械化和自动的行为完成。

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