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Behind the Curtain of the 'Ultimate Empathy Machine': On the Composition of Virtual Reality Nonfiction Experiences

机译:在“终极移情机器”的窗帘后面:虚拟现实非小说经验的构成

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Virtual Reality nonfiction (VRNF) is an emerging form of immersive media experience created for consumption using panoramic "Virtual Reality" headsets. VRNF promises non-fiction content producers the potential to create new ways for audiences to experience "the real"; allowing viewers to transition from passive spectators to active participants. Our current project is exploring VRNF through a series of ethnographic and experimental studies. In order to document the content available, we embarked on an analysis of VR documentaries produced to date. In this paper, we present an analysis of a representative sample of 150 VRNF titles released between 2012-2018. We identify and quantify 64 characteristics of the medium over this period, discuss how producers are exploiting the affordances of VR, and shed light on new audience roles. Our findings provide insight into the current state of the art in VRNF and provide a digital resource for other researchers in this area.
机译:虚拟现实非文件(VRNF)是使用全景“虚拟现实”耳机为消费而创建的沉浸式媒体体验的新兴形式。 VRNF承诺非小说内容生产者为经历“真实”创造新的观众的潜力; 允许观众从被动观众过渡到积极的参与者。 我们目前的项目正在通过一系列民族造影和实验研究探索VRNF。 为了记录可用的内容,我们开始分析到日期生成的VR纪录片。 在本文中,我们对2012-2018之间发布的150个VRNF标题的代表性样本进行了分析。 我们在此期间识别和量化媒体的64个特征,讨论生产者如何利用VR的能力,并在新观众角色上阐明光线。 我们的研究结果提供了对VRNF现有技术的洞察力,并为该地区的其他研究人员提供数字资源。

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